Archive for the 'commentary and criticism' Category

The Green Hand at The Comics Journal


So, I already have another Common Currency column up at The Comics Journal. I know, crazy right? Anyway, it’s basically a standard review of French artist and writer Nicole Claveloux’ The Green Hand, just now reissued in a handsome English-language edition by New York Review Comics. I make the case that especially the tile story is a largely forgotten masterpiece, representing a road not really taken in the form until perhaps recently. In part because comics have been so bad at accomodating woman creators, again until recently. Things are changing. Go, read.

Common Currency – The Return!


Finally, after I don’t even want to think about how long, I’m back at The Comics Journal with an installment of my column on European Comics. While I’ve been writing other things there, I have been neglecting that particular commitment. And no, my last one didn’t really count, as it was about the very non-European Chester Brown.

So, click over to read my piece on how the newfound freedom occasioned by the international New Wave of comics in the nineties and early naughts is causing some confusion among even very talented cartoonists today, resulting in a lot of spectacular-looking, ambitious-seeming comics that don’t amount to all that much. Includes reviews of work by Olivier Josso Hamel, Yannis la Macchia and Antoine Marchalot. Go go go!

Above: from Yannis la Macchia’s Des batisseurs.

Teknokosmos

Jack Kirby, Joe Sinnott og Stan Lee, fra "This Man... This Monster!", Fantastic Four #51 (1966)

I sidste uges udgave af Weekendavisen kunne man læse min artikel om Jack Kirby, skrevet i anledning af hundredeåret for hans fødsel 28 august i år. På grund af en redaktionsfejl, trykte avisen desværre en kladde i stedet for den grundigt omskrevne — og i mine øjne væsentlig bedre — udgave af min tekst. Da det er for sent at rette op på i sig selv, bringer jeg derfor den egentlige, færdige tekst her. Med ekstra billeder. God læselyst!

Jack Kirby er energi! Spændstigt trukne linjer, intenst strålende parallelskraveringer, kompakte sorte prikker, der sitrer på papiret. Kantede figurer, heroiske af statur, med ansigterne fortrukne af følelser og hænderne strakt mod os i voldsom forkortning. De brydes i eksplosive slagsmål, deres kroppe i fejende bevægelse. Vildtvoksende arkitekturer og teknologiske abstraktioner, kvasi-kubistisk undfanget i hvad der kunne være den femte dimension. Sammenstillingen af grovkornet hverdag og bjergtagende kosmiske panoramaer. Billeder der truer med at bryde rammerne. Continue reading ‘Teknokosmos’

The Big 3 at The National Gallery


With the Michelangelo and Sebastiano exhibition closed at National Gallery we are privileged to hold on to Michelangelo’s marble Taddei Tondo from the Royal Academy until the end of January, while they complete the bicentennial refurbishment. This has given us the opportunity to show the sculpture along with a number of paintings from our collection by Leonardo, Michelangelo and Raphael, the three foundational figures of what we have come to know as the High Renaissance.

The display is on in room 20 of the North Galleries, smack dab in the middle of our new display of Dutch and Flemish seventeenth-century paintings, incongruously but necessarily because of logistics. If you’re in London, I encourage you to visit what I think is a compelling display telling the story of the creative and, to a lesser extent, personal interrelations of these three very different giants of art.

If you wish to know more, do check my introduction to the display via Facebook Live.

Rafael i Weekendavisen


I dagens udgave af Weekendavisen anmelder jeg den store — og fantastiske! — udstilling af Rafael-tegninger på The Ashmolean Museum i Oxford (til 3 september) og gør mig nogle tanker om hvad Rafaels tegninger fortæller os om hans særlige geni — et, der har gjort ham til det nok bedste bud på den vestlige traditions kvintessentielle kunstner.

Læs anmeldelsen her, eller i avisen hvor den er bedre illustreret. Og se udstillingen hvis I kan!

Sortkridtstegningen ovenfor er fra ca. 1519–20 og tilhører The Ashmolean Museum. Jeg diskuterer den i anmeldelsen.

Trump i Doonesbury i Information


I denne weekends Moderne Tider-tillæg i Information står min anmeldelse af den særlige Trump-opsamling af G.B. Trudeaus Doonesbury at læse. Jeg gør mig i den forbindelse nogle tanker om det at satirisere Trump — noget, der tydeligvis ikke er så nemt som man skulle tro. Hermed en smagsprøve:

Det bliver taget for givet, at Trump er en gave til satirikerne. At han serverer deres levebrød på et sølvfad. Jeg er ikke så sikker. Ja, særligt de amerikanske aftenshowværter har kronede dage – med Stephen Colbert og Trevor Noah i spidsen – men de koncentrerer sig i højere grad om den politiske og mediemæssige kontekst der muliggør galskaben, end om manden selv. Dem der gør har det svært: at Alec Baldwin er blevet lagt for had af præsidenten kalder nok på kollegernes misundelse, men hans Saturday Night Live-portræt af præsidenten er hverken særligt præcist eller særligt sjovt. Han udkonkurreres i dén grad af den ægte vare.

Læs mere her

Roskilde 2017: Last Man Standing


Barely. Once more, I am covering the Roskilde Festival for the Danish hip hop site Rapspot.dk, this year with the significant difference that I will be doing it dolo. Rapspot has been in decline for a while, a natural result of internet evolution and contributor devolution. Nothing lasts forever and a twenty-year run of it ain’t half bad. As for Roskilde, this year will mark twenty-five since I first attended the festival and I still find it equally nourishing for mind and spirit. Although life makes it increasingly harder, I hope this won’t be my last time on the green.

In the meantime, however, sit back and enjoy my barebones coverage of Nas, Solange, Gucci Mane, Ice Cube, Seun Kuti, and much more over the next few days. It is happening over at Rapspot, in Danish, and on Twitter @metabunker in English.

That photo? Erm, that’s your correspondent caught partially unawares by my man Klaus Køhl Saturday night at the 2003 festival. Still one of the best I’ve attended.

Flygtningekrisen i danske tegneserier

Fra Lars Hornemans bidrag til Uledsaget


Information har endelig trykt en anmeldelse jeg skrev for flere måneder siden, om hvorledes flygtningekrisen og immigrationsspørgsmål mere generelt er begyndt at vise sig, rent tematisk, i danske tegneserier, her konkret antologien Uledsaget, der rummer bidrag af Lars Horneman, Tom Kristensen, Adam O., Halfdan Pisket, Karoline Stjernfelt, baseret på fem uledsagede flygtningedrenges historier; Morten Dürr og Lars Hornemans ungdomsserie Zenobia, der fortæller historien om en druknende flygtningepige; og ikke mindst Johan F. Krarups verité-fiktion Styrelsen, om en blød mands forfald til korruption som sagsbehandler i Udlæningenstyrelsen. Anmeldelsen kan læses her (advarsel: paywall den første måneds tid) og her er et uddrag (om Styrelsen):

Den bløde mand, Laursen, inkarnerer en dansk kultur, hvor tilliden til medmennesket er høj og korruption en sjældenhed. Hans manglende evne til at sige fra udstiller systemets sårbarhed overfor pragmatisk udnyttelse, mens hans patetisk morsomt skildrede moralske kvababbelser antyder styrken i det anstændighedens imperativ, han trods alt lever under. Krarups tegninger er en anelse skematiske og bliver over så mange sider monotone, men at han forstår nuancens kunst ses i bogens sidste billede af Laursen.

Hype: New Reviews

Krazy Kat Sunday page 6 October, 1940


Over at The Comics Journal I’ve just had my rather long, unfocused… er, discursive review of Michael Tisserand’s major new biography Krazy: George Herriman, A Life in Black and White published. Herriman’s Krazy Kat is widely, and for pretty good reasons, regarded as one of the greatest comics of all time, and really should also be considered on of the great, distinct works of art of the twentieth century, in my opinion. I have some thoughts about the strip, as well as assorted other comics embedded in the review. Anyway, check it out.

Oh, and in the latest issue of The Burlington Magazine you can read my review of Claudia Bertling Biaggini’s book on Sebastiano del Piombo, Felix Pictor.

Pushwagner at The Comics Journal


What more appropriate comic could I have been writing about on the day of that bogus, horrifying presidential auguration? That’s right, the Norwegian artist Pushwagner’s Dystopian 1970s masterwork Soft City, now out in a handsome American edition from the New York Review. Go, read, at The Comics Journal.

Merry Christmas from the National Gallery

This is the kind of thing that helps me cope. Apologies for any awkwardness!

What I’ve been up to


It seems increasingly meaningless these days, right? Yet, these are some of the things I’ve been up to over the last month or so.

ITEM at Apollo Magazine online a few weeks ago, I wrote an appreciation of the great Harewood Titian drawing (above), which is currently under temporary export bar and risks leaving the UK for an overseas home if a matching offer isn’t met before 20 December.

ITEM In the latest National Gallery Technical Bulletin (vol. 37), Chris Fischer, Rachel Billinge and I analyse new technical evidence concerning Fra Bartolommeo’s Virgin Adoring the Child with St Joseph in the National Gallery’s collection. Newly recorded infrared reflectograms reveal underdrawing that straddles the gap between his disciplined Florentine training and the flowering lyrical undercurrent in his work that was stimulated so decisively by his visit to Venice in 1508. We also publish a series of replicas/copies of the composition, including the one in Brescia and a previously unknown one in a private collection, both probably made in his San Marco workshop. The issue also contains articles on Dutch seventeenth-century flower painting, Daubigny and Van Gogh. Consult at your art library or wait till the content is made available online.

ITEM The latest volume of Studi Tizianeschi (no. IX) contains my review of Tom Nichols’ flawed but occasionally stimulating book Titian and the End of the Venetian Renaissance. But don’t get it for that — the issue contains Paul Joannides’ and Jane Turner’s long-awaited and magisterial examination of Titian’s and his workshop’s many versions of the quintessential Venus and Adonis composition, a material that would pose a heroic challenge to any Titian connoisseur. There are other interesting articles on Titian-related matters too, naturally. Again, check it out at your library or order here.


ITEM a couple of my comics reviews have been published in Information (in Danish). Firstly, it concerns the Danish omnibus-like edition of Simon Hanselman’s bleakly funny and deranged comics about Megg, Mogg and Owl (above). It predates last year’s Megg and Mogg in Amsterdam, but pretty much every strip he made prior to that is in it. Next up is Drømme i tynd luft (‘Dreams in Thin Air’), a comics documentary on the formation of the first Tibetan national football team told by the Danish idealist who helped it happen, Michael Magnus Nybrandt and illustrated by the talented Thomas Engelbrecht Mikkelsen. It’s a fascinating story, but the comic lacks dramatic and psychological interest, despite a few inspired passages. Anyway, even if you don’t read Danish, you may be able soon to see for yourself, as several international editions are in the works.

ITEM Oh, and I’m back writing story notes in the Fantagraphics Carl Barks series, which is of course fantastic fun. In the latest book, I wrote about the so-called ‘Donald Duck Rants about Ants’ — a true horror comedy steeped in 1950s paranoia as only Barks can do it. But, you know, get it — and the series — for the comics.

Danske avantgarde-tegneserier i Information

Fra Allan Haverholms When the Last Story Is Told


Efter længere tids fravær er jeg i dag tilbage i Informations bogtillæg med en anmeldese af en række tegneserieudgivelser af den mere utvetydigt litterært/kunstnerisk orienterede art: Signe Parkins & Drawings, Michelangelo Setola og Edo Chieregatos Snuder på lastbiler, Rikke Villadsen og Bjørn Rasmussens første to bind i deres serie Ni piger, og Allan Haverholms When the Last Story Is Told. Læs den her, nu hvis du har abonnement, om nogle uger, hvis ikke. Eller køb avisen på papir!

Og lige en påmindelse: overskrift, underrubrik og billedtekster er stort set aldrig mine på disse artikler. Ikke at jeg nødvendigvis er utilfreds, men sådan fungerer det.

PAW 50!

Paw Mathiasen skoler rosset i boghåndværk, Angoulême 2007 (forstør for yderligere indsigt)


“Glæden ved tegneserier indgår i den store livscyklus. ‘Nuff said!” Sådan sagde Paw Mathiasen i et interview for ti år siden, på et tidspunkt hvor man kan sige at han var steget ind sin fase 3 — den hvor han virkelig begyndte at gøre sig gældende som fuldtidsforlægger med bredt udsyn og en ambition om arbejdet med tegneserier som levevej. De to tidligere faser i denne forsimpling af Paws fine, fornemme og facetterede karriere i dansk tegneserie er naturligvis Fanzine-perioden, hvor en ellers hensynende grund blev gødet med Fat Comic og anden aktivisme, og så Fahrenheit-perioden op gennem halvfemserne og et stykke ind i nullerne, hvor Paw nærmest ene mand sørgede for, at der stadig blev udgivet danske tegneserier hinsides den meget snævre mainstream og samtidig stille, roligt og også lidt rodet introducerede danske læsere for den store udvikling, der var ved at tage fart i udlandet.

Fahrenheit er ganske enkelt den væsentligste danske tegneserieantologi de sidste tre årtier. Det samme gælder forlaget Fahrenheit på dets område. Man kan muligvis til tider have savnet en redaktionel linje, men det er nok samtidig en af hemmelighederne bag forlagets sejlivethed og brede betydning. Det ganske enkelt svært at forestille sig den opblomstring af dansk tegneserie og dansk tegneseriekultur, vi ser i dag uden. Paw har holdt faklen højt i op mod fyrre år og står fortsat som en konstant, varm og progressiv kraft et sted i kulturens hjerte. Fra Godfather til gryende Grand Old Man, med familie i nuet og en fortid at kigge stolt tilbage på. Cyklens fase fire—fremtiden—venter.

Tak og tillykke Paw!

UPDATE: Der er en stor fødselsdagsgave til Paw fra venner og kolleger på Nummer9.

Back at Roskilde


I spent parts of the last few days at the Roskilde Festival covering its hip hop programme for the Danish hip hop website Rapspot. I unfortunately missed most of the two first days, but managed to catch some great music on Friday and Saturday. At this stage of post-Brexit chaos, it was particularly great to see some of London’s finest uniting us in mosh. Fantastic.

If you read Danish, my coverage is here, here, and here. Astrid Maria B. Rasmussen, who took the above photo of Stormzy, has posted several great photo galleries from the festival here, here, here, and here (graffiti).