I hope you are all well. If you’re in London, do consider visiting my exhibition, Michelangelo & Sebastiano, at the National Gallery. It includes the juxtaposition, above, of Michelangelo’s two Risen Christs. I naturally recommend it.
Archive for the 'pictorial arts' Category
It was a great pleasure, in the run-up to Christmas, to announce the publication of the latest issue of the art history anthology Artibus et Historiae, which is a special issue dedicated to Professor Paul Joannides, formerly of the University of Cambridge, now Emeritus.
I was once of the guest editors of this projects, working with a group of Paul’s former students and friends to put together a publication that we thought he would enjoy, a Festschrift to mark his retirement a couple years ago, but beyond that of course his significance as a scholar and teacher in his field. It was all kept a secret and took about two years. We’re proud of the publication and happy in this way to honour a great teacher, mentor and person.
The list of contributors includes many of Paul’s friends and colleagues, some who have known him for most of their lives and some who only got to know him in recent years, as his last students. The list of contents can be perused through the link above.
I managed to contribute an article myself. Here’s the abstract: Continue reading ‘Celebrating Paul Joannides’
This is the kind of thing that helps me cope. Apologies for any awkwardness!
The week in review.
Sorry, I can’t let it go. Yesterday I filed an article on the media shit storm over Charlie Hebdo‘s provocation, Riss cartoon speculating that poor, dead Aylan Kurdi might have become an ‘ass-groper in Germany’, had he been given the chance to grow up in Europe. I guess this small cartoon, buried deep within an issue with David Bowie on the cover and with many other, very different cartoons (one of which is at least as offensive…) is newsworthy, in the sense that anything Charlie does these days is potentially so. But: this is a still rather marginal left-wing magazine we’re talking about and casting it as the reincarnation of Der Stürmer or whatever in the manner of many, mostly uninformed left-wing critics is not only hugely overblown, but ignorant of context. Not to mention insensitive to the multivalent qualities of even heavy-handed cartoons. Look, it’s perfectly legitimate to criticise this cartoon for bluntly furthering an anti-refugee agenda — it clearly does, whether intentionally or, more likely, not –but this is mostly because of the media treatment of it. Continue reading ‘The Week’
It’s been forever since I did one of these. Such is the half dormant life of this blog. But anyway, the itch is still occasionally there so here we go.
The above video was made a few months ago to coincide with the opening of the Sansovino Frames exhibition at the National Gallery. We had just successfully acquired the beautiful Venetian (non-Sansovino) frame which now adorns Titian’s Allegory of Prudence, partly through crowdfunding, and which features in the clip. I think it encapsulates well some of the very real pleasures of working with great artworks: the fact that details count; the kind of holistic thinking the works demand of you when you plan their display; and not least the passion and expertise that they demand. I appear for a brief moment and contribute nothing, but do watch the video for the insight it gives into our framing department and the great work Peter Schade and his staff do there.
OK, here are some links: