Archive for the 'journal' Category

Venetian Drawings in Copenhagen


Years in the making, Chris Fischer’s latest catalogue of the collection of old master drawings at SMK, formerly in the Royal Print Collection, in Copenhagen, is now available. It covers the Venetian drawings, which is one of the collection’s strengths, even if it only contains a handful of real masterpieces.

I had the fortune of collaborating with Chris on this catalogue during my short stint as a research fellow at SMK, 2012-14. My contributions were minimal, but I am still proud to see my entries on Domenico Campagnola and his Paduan colleague Stefano dall’Arzere in there along with Chris’ exemplary entries on everything from Carpaccio and Veronese to Aliense and the Tiepolos. Also, Chris’ general introduction to the Venetian school of drawing is as good a short primer on this complex and still somewhat neglected field as you will find anywhere.

Bizarrely, the museum does not seem to sell this new publication, nor the former entries in what is a gold standard series for the cataloguing of drawings, anywhere online. I’m sure the catalogue will soon be available through international booksellers, but so far the only place I’ve found it is the Danish store Saxo.com.

Chris Fisher, with contributions by Matthias Wivel, Venetian Drawings (Italian Drawings in the Royal Collection of Graphic Art), Copenhagen: Statens Museum for Kunst, 2018

CAV

Fra Cavs bidrag til antologien BLÆK som undertegnede redigerede med Thomas Thohauge og Frederik Storm i 2006.


Cav er død. Det er så uendeligt trist. Jeg tror jeg kan sige, at vi var venner, selvom vi ikke sås tit. Vi var i hvert fald gode kolleger en årrække, hvor dansk tegneseriekultur rykkede sig meget. Eller lad mig sige det på denne måde: da jeg for nogle år siden — fordi jeg endnu engang stod foran en flytning til udlandet — på smertelig vis skulle skille mig af med en tredjedel af mine fra barndommen elskede amerikanske tegneserieblade, var der ingen tvivl om hvem der skulle have dem.

Jeg holdt meget af ham, som kollega og menneske. Det var altid en fornøjelse at være sammen med Cav. Han lyste op og gjorde glad, hvor end han gik, men det tyder på at det ikke altid gik den anden vej. Han var tydeligvis også dybt plaget i perioder. Thomas Thorhauge har skrevet en oplysende og gribende nekrolog og jeg har ikke meget konkret at tilføje, men synes alligevel jeg ville dele nogle anekdotiske minder. Continue reading ‘CAV’

Happy New Year!

Merry Christmas

Filippino Lippi, The Adoration of the Kings, about 1480, The National Gallery

Christmas odds and ends


So it’s nearly Christmas and I realise that I’ve been running behind even on the self-promotion (such as it is) in here. Fear not, I’ll have you caught up in no time, or just in time to wish you a merry one.

ITEM My exhibition Michelangelo & Sebastiano, which showed at the National Gallery last spring, was nominated for Exhibition of the Year at the Apollo Awards. Although we were beaten for the award by the amazing Raphael exhibition at the Ashmolean Museum, it was needless to say an honour to be considered. I am proud of the work we did, warts and all, and hope some of you had the chance to come see it.

ITEM Speaking of Michelangelo and Raphael, they are — of course — two parts of the ‘Big Three’ constellation we are currently showing in room 20 at the National. The Royal Academy generously lent us Michelangelo’s Taddei tondo for Michelangelo and Sebastiano and have let us keep it till the end of January while they’re renovating and preparing its new display in time for their anniversary. For various reasons, my full online interpretation treatment on went live a few weeks ago. You can look at it here, and you can of course watch my Facebook Live introduction — previously posted – here.

Cornelis Cort after design by Titian, The Annunciation, second state, c. 1566, engraving


ITEM I reviewed Peter Lüdemann’s Tiziano. Le botteghe e la grafica in the December issue of The Burlington Magazine. on the use of graphic media in the Titian workshop. A stimulating if slightly incoherent book, which at times skirts the difficult issues but nevertheless collates little-studied material in enlightening ways. Here are my concluding remarks:

Lüdemann’s book is a welcome
addition to the literature. In addition
to providing the first analytical overview of
print production both in Titian’s workshop
and outside it, its central argument about
collaboration is strong. Titian himself never
cut, engraved or etched, which means that
any consideration of prints relating to his
output necessarily involves his workshop
practice and his arrangements with fellow
artists, printmakers and printers. It should
be obvious to any reader of this flawed but
fascinating book that the prints, and indeed
the drawings relating to them or otherwise
analogous to their function, are a particularly
illuminating key to a better understanding
of Titian’s work as a whole.

Read it at your local art library!

ITEM Our Christmas video series at The National Gallery this year focuses on gold as its theme. I participated briefly (see above) in the section devoted to the gilding of frames, discussing with our Head of Framing Peter Schade the spectacular altarpiece frame he created for the Gallery’s Raising of Lazarus by Sebastiano and Michelangelo, which debuted in the aforementioned exhibition and is now on view around the painting in the Gallery’s room 8.

Merry Christmas!

Kirby at 100


Today, Jack Kirby, one of the great artists of the twentieth century and a visionary of the comics form, would have turned 100. For those unfamiliar with this extraordinary person and artist, or merely wanting to brush up, here’s a good primer and here is the touching and informative reminiscence by Kirby’s friend and erstwhile employee Mark Evanier, and here are a couple of really good pieces on his work reposted today by two great comics critics, Ken Parille and Andrei Molotiu.

I myself will be contributing a piece to the rolling celebration taking place all week at Danish comics site Nummer9, masterminded by my friend and occasional collaborator Henry Sørensen, whose feature-length 2009 essay on Kirby leads a variety of homages and critical takes. He posted the first part of it today, soon to be followed by the second, as well as the first of a series of tributes by Danish cartoonists. Meanwhile, Danish afficionados Morten Søndergård and Kim Schou have posted a two-hour podcast on Kirby. All of this, regrettably is only available in Danish, but if you do read the language stay tuned for more, including an article by yours truly which will feature the image above (from New Gods #5, 1971) and will subsequently be posted somewhere (probably here) in English, I hope.

Oh, there have of course also been a few posts on Kirby on this site. Among them are my thoughts on Kirby’s extraordinary transitional work on the Challengers of the Unknown in the late 1950s, my take on his last Fantastic Four story with Stan Lee, and my review of Evanier’s 2008 monograph, which has just been re-released to mark the centenary. Also, there is the provocative 2007 article by aforementioned Søndergård on his possible involvement not just in the creation of Spider-Man, but the execution of some of the first comics pages featuring the character. I don’t really believe it, but it is worth your attention, as is the debate it sparked, which features Evanier (again!) as well as Blake Bell, expert Spider-Man co-creator Steve Ditko, and others.

UPDATE: here’s my essay in Danish at Nummer9 and in English at The Comics Journal.

PING PING PING PING PING PING PING PING PING PING PING PING PING PING PING PING

Happy Easter


I hope you are all well. If you’re in London, do consider visiting my exhibition, Michelangelo & Sebastiano, at the National Gallery. It includes the juxtaposition, above, of Michelangelo’s two Risen Christs. I naturally recommend it.

Happy New Year


A Hard Rain is Gonna Fall.

1 Love.

Celebrating Paul Joannides

It was a great pleasure, in the run-up to Christmas, to announce the publication of the latest issue of the art history anthology Artibus et Historiae, which is a special issue dedicated to Professor Paul Joannides, formerly of the University of Cambridge, now Emeritus.

I was one of the guest editors of this project, working with a group of Paul’s former students and friends to put together a publication that we thought he would enjoy, a Festschrift to mark his retirement a few years ago, but beyond that of course his significance as a scholar and teacher in his field. It was all kept a secret and took about two years. We’re proud of the publication and happy in this way to honour a great teacher, mentor and person.

The list of contributors includes many of Paul’s friends and colleagues, some who have known him for most of their lives and some who only got to know him in recent years, as his last students. The list of contents can be perused through the link above.

I managed to contribute an article myself. Here’s the abstract: Continue reading ‘Celebrating Paul Joannides’

Merry Christmas

US Voters, please do us all a favor


Don’t let this jerk, or any Republican, take anything today. Our future depends on it.

VOTE.

PAW 50!

Paw Mathiasen skoler rosset i boghåndværk, Angoulême 2007 (forstør for yderligere indsigt)


“Glæden ved tegneserier indgår i den store livscyklus. ‘Nuff said!” Sådan sagde Paw Mathiasen i et interview for ti år siden, på et tidspunkt hvor man kan sige at han var steget ind sin fase 3 — den hvor han virkelig begyndte at gøre sig gældende som fuldtidsforlægger med bredt udsyn og en ambition om arbejdet med tegneserier som levevej. De to tidligere faser i denne forsimpling af Paws fine, fornemme og facetterede karriere i dansk tegneserie er naturligvis Fanzine-perioden, hvor en ellers hensynende grund blev gødet med Fat Comic og anden aktivisme, og så Fahrenheit-perioden op gennem halvfemserne og et stykke ind i nullerne, hvor Paw nærmest ene mand sørgede for, at der stadig blev udgivet danske tegneserier hinsides den meget snævre mainstream og samtidig stille, roligt og også lidt rodet introducerede danske læsere for den store udvikling, der var ved at tage fart i udlandet.

Fahrenheit er ganske enkelt den væsentligste danske tegneserieantologi de sidste tre årtier. Det samme gælder forlaget Fahrenheit på dets område. Man kan muligvis til tider have savnet en redaktionel linje, men det er nok samtidig en af hemmelighederne bag forlagets sejlivethed og brede betydning. Det ganske enkelt svært at forestille sig den opblomstring af dansk tegneserie og dansk tegneseriekultur, vi ser i dag uden. Paw har holdt faklen højt i op mod fyrre år og står fortsat som en konstant, varm og progressiv kraft et sted i kulturens hjerte. Fra Godfather til gryende Grand Old Man, med familie i nuet og en fortid at kigge stolt tilbage på. Cyklens fase fire—fremtiden—venter.

Tak og tillykke Paw!

UPDATE: Der er en stor fødselsdagsgave til Paw fra venner og kolleger på Nummer9.

The Week


The week in review

Another week, another several terrorist attacks. Today’s in Lahore was even worse than the one in Brussels a few days ago. They may be low tech and claim fewer dead than other forms of violence, but I don’t know how these actions won’t change our societies quite radically, and mostly for the worse. Here in London we’re increasingly waiting for the other shoe to drop. Yet, some of Palmyra still stands.

Happy Easter.

  • Stations of the Cross, London. At the National Gallery we participated in this psychogeographical art project with Jacopo Bassano’s Way to Calvary representing the seventh station. I found it a rich and rewarding experience not in small part because it encouraged one to explore various forgotten or at least dimly remembered parts of London. Very Iain Sinclair/Alan Moore, in some ways. Clearly, Apollo Magazine agreed.
  • Comics! Jen Lee had a great stint in The Comics Journal‘s diary section. Beautiful. Oh, and the same source delivered a fine interview with growing Wunderkind Michael Deforge. And Nummer9 presented some very promising webcomics work from the current students at the graphic storytelling programme at the Viborg Animation Workshop.
  • New hip hop! Aesop Rock is dope over Pusha-T’s “Untouchable”. Slime Season 3! Bob Rauschenberg.
  • Phife Dawg RIP. A great, underrated MC, part of one of hip hop’s seminal groups, left us this past week. Here’s a great oral history of the creation of A Tribe Called Quest’s second (and in my view narrowly best) album, The Low End Theory. And here’s the long-disbanded group’s last performance, on Jimmy Fallon, with The Roots, last autumn.
  • Image: Getty Research Institute.

    The Week


    The week in review

    As is always the case, lots happened this week, but my preoccupation continues to be the implications of the 7 and 9 January 2015 murders in Paris, or at least what they are coming to represent. As Kenan Malik laments in his excellent op-ed piece for Göteborg-Posten, the initial wave of sympathy for the dead and the huge public manifestations which happened as a reaction all over France, and in other countries, exactly one year ago don’t seem to have changed much for the better when it comes to public opinion on freedom of speech and freedom of expression. European countries, France not least among them, continue prosecuting people for various forms of “hate speech” and “terrorist sympathies” while identity politics are leading educated people in increasingly absurd to silence others. And Islamist reactionaries and jihadists seem as determined as ever to silence any perceived transgressors, whether in the West or in Muslim majority countries, most recently and horrifically Saudi Arabia. At the same time, very few in the West are joining Charlie Hebdo in the necessary, continued testing of the boundaries. And frankly Charlie itself is much diminished now that several of their best cartoonists are either dead or have left the publication. Continue reading ‘The Week’