The week in review
It’s been a while since I’ve done one of these and it will probably be a while yet before I do another one. Much happening in terms of relocating more permanently to London, so… but I just felt the itch to post something here wishing you all (those of you still reading this rather stagnant page) a happy new year. Over the holiday I rekindled my interest in the civil rights movement and black liberation in the US by reading Manning Marable’s fantastic, and controversial, biography of Malcolm X, A Life of Reinvention. Presenting by far the most nuanced view of this complex figure so far, it does more to make him human, real, in the reader’s eye than just about anything else I’ve read. My one quibble is that by being so scrupulous about presenting the details of his life, warts and all, it tends to lose sight of what made him, this leader who achieved very little in terms of concrete political results, such a crucial figure in modern American history. It lacks sufficient exegesis on his words and thoughts, despite an excellent closing chapter that aims to provide perspective. But don’t let that deter if you have any interest in American history or the civil rights movement. It’s a great book.
With that, I figured I’d post the above video of Malcolm X speaking in Oxford (close to home for me now, that’s why, I guess!) in 1964, five or six months after having broken with the Nation of Islam. It’s a remarkable encapsulation of the fluctuating state of his thought at that moment, starting with a forceful statement of principle — the nature of American racism, the use of violence — entirely consistent with his earlier, more confrontational rhetoric, passes through a Barry Goldwater quote as well — poignantly — as one from Hamlet, to an approchement to the civil rights movement and embrace of the vote as a potential game changer for black Americans. And he ends on a universalist, revolutionary call for action. There are greater moments to be found in his many speeches and interviews (the Malcolm X Project at Columbia University is a good place to start learning more), but I love the eclecticism and coherence of this clip.
For those that missed it, Barton Gellman of the Washington Post interviewed Edward Snowden at some length last week. The paper also provided a disturbing perspective on the development of quantum computers and what it may mean for universal surveillance.
For Danish readers, this piece on how Green Growth has become a global buzzword over the last ten years , loosening the purse strings of corporations as well as government worldwide, is worth checking out. The same goes for Rune Lykkeberg’s piece on how the centre-left seems to have taken back the microphone in the Danish discourse on moral values.
It’s been a month already, and it’s been the blast. This is my new workplace — I’m doing my best to be steward to a mind-blowing collection of Italian paintings, with some really big shoes to fill. (Wish me luck). It’s still a little unreal, not the least because I’m still segueing between Copenhagen and London, moving only in January. In between at the National.
One of the great painters of his generation, in Denmark and internationally, Kurt Trampedach died a few days ago at age 70. When he was good, he painted the human condition as lonely and traumatic, but ever inquisitive and seeking. He was a close friend of my father’s, so his images came to mark my childhood, as did his voice and occasional alert presence. My best memories of him are from a childhood summer vacation spent in his mountainside home in the Basque Country, and seeing him ecstatic, wielding a huge wine glass filled with Schweppes Bitter Lemon, at the reception for the retrospective exhibition my father organized of his work at Sophienholm, Lyngby in 2001. He was talking his head off, hugging friends and strangers, high on life and art.
Rest in peace.
For those with Danish: My dad on his friend, Peter Michael Hornung’s fine obituary,and Peter Laugensen’s, Steen Baadsgaards excellent 1995 documentary on Trampedach’s life at that immensely fertile point in his career. Oh, and you could own the above picture.
Once again, the Danish comics grassroots are banding together to create a large area devoted to comics at the Copenhagen Book Fair, Bogforum. The Danish Comics Council is teaming up with a number of other organisations to bring to the guests lots of comics goodness, including live drawing, interviews, workshops and much more. I’m not yet sure I will be able to attend myself, but I may drop in, and if I do I expect to see you there!
More info (in Danish) here and here. And Malene Hald has an overview of everything comics related (including stuff taking place outside the comics area) at the fair.
Images from the comics area at last year’s Bogforum, including a pap of internationally acclaimed director Bille August reading comics.
Here in the United States we are experts in the knowledge that editorial cartooning is a dying art. In other areas of the world, however, it is an art that people die for.
– Dr. Robert Russell
The week in review
The execution, earlier this year, of cartoonist Akram Raslan is another reminder of the untenable situation in Syria, of the kind we who are especially attuned to cartooning notice. As if we needed it. It is great that the deal to eliminate the country’s chemical weapons so far seems to be going ahead (though, what about the chemical weapons in Egypt and Iran?), and good to see that the Organization for the Prohibition of Chemical Weapons was awarded the Nobel Peace Prize this week. But I fail to see how the Assad regime can be regarded as anything but illegitimate by now. I realize the complexity of the situation in the region, how delicate affecting regime change would be, and the power vacuum any removal of the current despot in charge would cause, but how can one seriously contemplate having dealings with these mass murderers in the future? How will the region ever be more stable if they remain in charge? After a while, fear of change just becomes cynicism.
I really shouldn’t be giving it any attention, but the new “Leonardo” find this week is symptomatic of a rising trend toward sensationalist PR stunts in the art world, where often dubious pieces are trotted out as genuine works by one of the great masters. Another example is the recent, silly attempt to upgrade a Velasquez copy at Kingston Lacy. The press clearly laps it up, but in the long run it has to be a problem for anybody taking seriously the study and facilitation of knowledge of art, as well as to the market. And it clearly makes one wary even of more serious proposals, such as that of the new, possible Titian I wrote about the other day.
Speaking of new finds, the sensationalist rollout of the fantastic Van Gogh discovery by the Van Gogh Museum last month is scrutinised and found wanting by Gary Schwartz.
And speaking of Nobel Prizes, the one for literature of course went to Alice Munro, whom I suppose is deserving and all, but when is the committee finally going to give it to Bob Dylan? Bill Wyman made the by now long stated case once again before the prize was announced.
Pusha T’s new album My Name is My Name, seems poised as contender for album of the year if the singles are anything to go by. The Kendrick Lamar-featured “Nosestalgia” is hot, and “Pain”, released this week is Fyah! Also, check David Drake’s pre-release analysis here.
If you read Danish, Louise B. Olsen’s smart and elegant essay on Krazy Kat is a nice way to celebrate the centenary of that greatest of comic strips.
Oh, and this article on how the city of London has become an international tax haven for real estate speculators is just a depressing peek into the workings of global capitalism, not the least to somebody like yours truly who will soon be moving to that city.
Murdered by the Assad regime, like tens of thousands of other innocents.
Totally forgot to post this here in good time. It’s been a little crazy around these parts lately. Anyway, I’m organising this colloquium in Cambridge tomorrow. If you happen to be around, and are interested in the topic (slim chances, I know!), then by all means show up!
Kendrick Lamar by Kenneth Nguyen
It’s been two weeks now since the Roskilde Festival. Two busy weeks with lots happening. It was another good year, however, not the least for hip hop, with a program focused on coastal innovation, from Kendrick Lamar to El-P and Killer Mike to Mykki Blanco and Azealia Banks. The notable misfire was Rihanna lip synching her way through a boring set Saturday night. Anyway, our coverage at Rapspot can be sampled here
, and these are my contributions: Mykki Blanco
, Killer Mike and El-P
, and Kid Koala
as well as my usual rap up commentary
, which I’ve just uploaded. All in Danish. I’m sorry.
Thanks for a great festival, everyone – and props to the graff people who celebrated their 15th anniversary at the festival this year with another great burn on the festival walls.
See you next year?
Photo from Roskilde 2012 by KenYen
Once again, you know where you’ll find me this weekend. At the Roskilde Festival, covering the hip hop acts and assorted as part of the RapSpot team. So tune in over there
, and witness the strength of sneed knowledge.