I denne uges bogtillæg til dagbladet Information står min anmeldelse af Rikke Villadsens udfordrende tegneserie Et knald til at læse. Check den her.
Here’s another one. In the latest issue of Zeitschrift für Kunstgeschichte (vol. 77, no. 3) I have an article on Titian’s collaboration with the printmaker Giulio Bonasone in the early 1560s. Examining their collaboration not only sheds new light on Titian’s active involvement in printmaking, but also on the chronology of his paintings for Philip II and the Spanish court during these years. And then there’s the above drawing, always placed in the Titian studio but never convincingly attributed. I think I’ve made a decent case that it’s by Bonasone (with retouching just possibly by Titian himself).
Read it at your art library! TOC here.
Har netop anmeldt sæsonens bedst modtagne, bedst sælgende og uden sammenligning mest overvurderede tegneserie, Henrik Rehrs Gavrilo Princip, for Information. Du kan læse anmeldelsen, med titlen “En dans i havregrød”, her. Billedet ovenfor er ikke gengivet i anmeldelsen, med det er det, titlen konkret henviser til.
Nikoline Werdelin for the win!
It’s been a week and half since the big show, but I still think this year’s Ping awards deserve a few words for what little international audience this site still has after months of hibernation.
The Ping awards is an annual set of awards given to comics in Denmark in the manner of the Angoulême Fauves or the American Eisners. Founded by the Danish Comics Council, the awards are a revivification of a differently conceived, hall of fame-type award of the same name which was bestowed on single creators through the early nineties, as well as of the awards programme hosted by the comics biennial Komiks.dk from 2004-2010. The Pings are named after one of the best known characters created by one of the greatest Danish cartoonists, Robert Storm Petersen, aka. Storm P. (1882-1949). Continue reading ‘Boom PING PING’
Giulio Sanuto after Titian, ‘Venus and Adonis’, 1559, engraving, 538 x 415 mm. Copenhagen, Statens Museum for Kunst.
In the latest volume of the Marburger Jahrbuch für Kunstwissenschaft
the interested reader will find my article on the permutations of Titian’s famous Venus and Adonis composition in sixteenth-century prints, and through them in painting. It turns out that careful examination of the sources and the prints yields fascinating information on how the master developed this, one of his most enduring compositions through multiple versions during the course of a long career.
Here’s the abstract:
Titian’s Venus and Adonis was one of Titian’s most successful compositions and remains among his most iconic. Around a dozen painted versions are known today, the most famous being the canvas painted for Philip II around 1552–54 (Prado). Less well-known are the seven prints made of the composition in the latter half of the sixteenth-century. This article demonstrates that at least two of these were made with Titian’s approval and that they provide valuable insight not only into his work with printmakers, but also his production of replicas, reflecting as they do intermediate stages in his development of the composition through the 1550s.
More information here.
The week in review
OK, I’ll try again. As should be evident, I’m not finding much time to blog these days, but I refuse to let go entirely, and who knows if times might not turn more propitious, Bunker-wise in the not-too-far future? Also, the National Gallery internet presence, which I’ve previously hinted at, is also still in the works. So, not much to say right now, but I have some links to share!
In-depth interview with Jean-Luc Martinez, the recently appointed director of the Louvre. Excellent, critical interview in which the director at Tribune de l’art takes his time to answer Didier Rykner’s not always easy questions. In three parts: one, two, three.
Pharoahe Monche interviewed. Another in-depth interview, this one with one of the greatest rap lyricists. Candid and insightful.
T.J. Clark on Veronese’s Allegories of Love at the National Galleries. Clark takes a close look at four wonderful pictures that just happen to be on display in one of the great exhibitions of the decade right where I work. Clark does tend to go on a little long, but it is still highly worthwhile to follow his eye.
How Not to Make a Graphic Novel. Fine piece by Sean Michael Robinson on the creative process as it pertains to long-form comics.
Raphael’s Influence on Titian 1508-1520. Kiril Penušliski examines the evidence and adds a few good observations to the evidence. Now, somebody should examine more closely Titian’s influence on Raphael…
Paolo Veronese, The Conversion of Mary Magdalene, about 1548, oil on canvas, 117.5 x 163.5 cm. London, The National Gallery.
In a couple of weeks’ time, we’re opening the first major show
of the works of Venetian Renaissance artist Paolo Veronese in decades at the National Gallery. Although it falls within my area of responsibility and will therefore occupy much of my time for the next few months, it’s an exhibition I have had nothing to do with, having started at the gallery only a few months ago. But needless to say one I’m looking forward to immensely: it’s a privilege thus to be dropped into the midst of a great project on an artist of immense generosity.
It’s not just that his pictures pull out all the stops, that his art is a rarely paralleled display of elegance, magnificence, and virtuosity, it’s that there is something profoundly touching about those qualities in his work. He is one of the few artists who really understood the lessons of Raphael. His immaculate sense of composition, his grasp of form, two- as well as three-dimensional, his sensitive use of gesture, and the subtlety of his portrayal of human interaction are all elements in what seems to me a distinctly civilising art, to paraphrase Kenneth Clark’s characterisation of Raphael. Contemplating Veronese is not only a joy, it makes you feel better about life and who we are.
That’s the high register. Keep an eye on the NG website for further thoughts and more concrete analysis during the course of the exhibition. I’ll keep you posted here and on twitter.
“There Are Good Guys and Bad Guys.” Bhob Stewart’s classic essay on/obituary of Wally Wood reprinted at the Comics Journal to mark the passing of its author. RIP. Read it, it is one of the most evocative, personal texts of its kind in comics. Really brings the great, flawed cartoonist to life.
Nikoline Werdelin interviewed. Arguably the greatest living Danish cartoonist, Werdelin has rarely if ever been interviewed about her comics (she has often talked to journalists about other things — life, style, death, and everything in between), so this in-depth, work-oriented interview by Thomas Thorhauge is a major scoop. Unfortunately it is only available in Danish, as is indeed the case with most of her work. English readers can sample her in From Wonderland with Love.
Finally, this uncredited photo, from the Yarmouk refugee camp in Syria, is arresting, sobering, terrible. A reminder that something has to be done there. A no-fly zone blocking the government’s use of their air force remains a good place to start.
Illustration by Trondheim of the Angoulême mascot (designed by him) and Bill Watterson's Calvin
The Comics Journal, I’ve just posted a small article on the recent changes to the Grand Prix awarded at the Angoulême comics festival, this year to Bill Watterson. It is arguably the greatest formal honor bestowed in the comics world, and any change brings with it controversy, of course. I asked the great cartoonist, and member of the Grand Prix awarding body, Lewis Trondheim to help me out a bit. Check it out.
Once again, Paul Gravett has taken a trip around the globe for his annual survey of the best in world comics. And as usual, I’ve contributed a small list of what I consider the best/most notable Danish comics of last year. Read the full list here and here, but just in case, here’s my contribution: Continue reading ‘Danish Comics of the Year 2013′
From Jim Woodring's Fran, a comic Joe McCulloch made me appreciate more, even if the cartoonist's recent work has left me a bit cold
Once again, Ng Suat Tong has posted an overview
of some of the best comics criticism published online in the year gone by over at the Hooded Utilitarian. In previous years, he has gathered differing juries consisting of a fairly wide range of critics, but this year he has dispensed with that in favor of just selecting a bunch of pieces on his own.
And once again, I’m flattered to be included on his list, especially considering just how little I’ve written in the past year. I’ve kept wanting to, but other things just kept getting in the way, and much as I want to say things are going to be different, that probably won’t change much in the coming year. Anyway, it was nice to see my piece on Abel Lanzac (aka. Antonin Baudry) and Christophe Blain’s Quai d’Orsay and Willem’s Degeulasse, written for The Comics Journal last August, mentioned. Especially since so many really excellent pieces (as well as some fairly mediocre one, it has to be said) were included.
Suat’s taking stock, which has now been running for five years, remains a valuable service to the corner of the comics internet interested in serious writing about the art form, and I for one am grateful that he still makes the effort. Also, he continues to write outstanding comics criticism himself: from the last year, I particularly liked his critique of Michael Deforge(‘s critics), his appreciation of The Trigan Empire, his essay on Daniel Clowes’ because of Shia Laboef now rather famous “Justin M. Damiano”, his examination of Suehiro Maruo’s The Strange Tale of Panorama Island, and his head-scratching dissection of a particularly lauded xkcd story.
Now, don’t waste more time here — go check out the list.
I Informations bogtillæg fra i fredags stod min anmeldelse af Marcel Ruijters De hellige, udgivet på dansk af forlaget Forlæns, at læse. Du kan se den her.
I fredags publicerede Information en artikel om kvinder i tegneserier i deres specielle bogtillæg sammensat i anledning af Bogforum. Den var skrevet af mig. Desværre havde jeg været så letsinding at sende dem en kladde, der bestod af flere halvfærdige og senere slettede afsnit, som kun til en vis grad hang sammen. Dog nok til at den kunne trykkes.
Ret foruroligende at kunne konstatere, at man er så defekt, når man sidder og arbejder til deadline. Heldigvis er det nu en ny uge, hvilket betyder at bogtilægget er historie og de fleste eksemplarer sandsynligvis er smidt ud (eller snart bliver det) af læserne, og på avisen har de i mellemtiden været så flinke at uploade den rigtige, færdige version af artiklen, som bl.a. indeholder anmeldelser af Margaux Motins Egentlig ville jeg så gerne have vaeret antropolog… (billede ovenfor), Marten Vande Wieles Paris og Aben Malers dagbogsantologi Jeg tegner, når jeg skriver, såvel som korte omtaler af Maren Uthaug og Stine Spedsbergs tegnede blogs.
Primært er artiklen dog et forsøg på meget kursorisk at skitsere en væsentlig udvikling indenfor tegneserien, set med danske øjne — med alt hvad der følger af kønsdiskurs og -kontroverser.
Hele herligheden kan læses her.
I fredagens bogtillæg til dagbladet Information stod min anmeldelse af Jiro Taniguchi og Hiromi Kawakamis Senseis mappe at læse. For jer, der ikke har papirudgaven, kan den også læses på nettet.
Just thought I’d collect links to a number of writings on comics I’ve done over the years on comics history and aesthetics, as well as some of the great or otherwise significant works that have shaped it, here and elsewhere. Hopefully it will be interesting or useful to anybody interested in the subject, not the least students that I’ve bored with it in the seminar room. Anyway, here’s an overview: Continue reading ‘On Comics History and the Canon’
Here in the United States we are experts in the knowledge that editorial cartooning is a dying art. In other areas of the world, however, it is an art that people die for.
– Dr. Robert Russell
The week in review
The execution, earlier this year, of cartoonist Akram Raslan is another reminder of the untenable situation in Syria, of the kind we who are especially attuned to cartooning notice. As if we needed it. It is great that the deal to eliminate the country’s chemical weapons so far seems to be going ahead (though, what about the chemical weapons in Egypt and Iran?), and good to see that the Organization for the Prohibition of Chemical Weapons was awarded the Nobel Peace Prize this week. But I fail to see how the Assad regime can be regarded as anything but illegitimate by now. I realize the complexity of the situation in the region, how delicate affecting regime change would be, and the power vacuum any removal of the current despot in charge would cause, but how can one seriously contemplate having dealings with these mass murderers in the future? How will the region ever be more stable if they remain in charge? After a while, fear of change just becomes cynicism.
I really shouldn’t be giving it any attention, but the new “Leonardo” find this week is symptomatic of a rising trend toward sensationalist PR stunts in the art world, where often dubious pieces are trotted out as genuine works by one of the great masters. Another example is the recent, silly attempt to upgrade a Velasquez copy at Kingston Lacy. The press clearly laps it up, but in the long run it has to be a problem for anybody taking seriously the study and facilitation of knowledge of art, as well as to the market. And it clearly makes one wary even of more serious proposals, such as that of the new, possible Titian I wrote about the other day.
Speaking of new finds, the sensationalist rollout of the fantastic Van Gogh discovery by the Van Gogh Museum last month is scrutinised and found wanting by Gary Schwartz.
And speaking of Nobel Prizes, the one for literature of course went to Alice Munro, whom I suppose is deserving and all, but when is the committee finally going to give it to Bob Dylan? Bill Wyman made the by now long stated case once again before the prize was announced.
Pusha T’s new album My Name is My Name, seems poised as contender for album of the year if the singles are anything to go by. The Kendrick Lamar-featured “Nosestalgia” is hot, and “Pain”, released this week is Fyah! Also, check David Drake’s pre-release analysis here.
If you read Danish, Louise B. Olsen’s smart and elegant essay on Krazy Kat is a nice way to celebrate the centenary of that greatest of comic strips.
Oh, and this article on how the city of London has become an international tax haven for real estate speculators is just a depressing peek into the workings of global capitalism, not the least to somebody like yours truly who will soon be moving to that city.