Archive for the 'hype & linkage' Category

This weekend: Copenhagen Comics and Ping!

Thomas Mikkelsen's poster for this year's Ping awards


Once again, it’s time for the gathering of local tribes in Copenhagen that is the biennial Copenhagen Comics. It’s this weekend and as usual it features close to every Danish comics professional and amateur you might imagine, including yours truly.

As always, the programme is wide-ranging, offering something for almost every taste profile, but this year with a special focus on children’s comics. The international headliner is Art Spiegelman who will be there along with his equally high-profile wife Francoise Mouly. Among the other international guests are Mathias Adolfsson, Simon Hanselmann, André Juillard, Steffen Kverneland, David Lloyd, Rutu Modan, Tommi Musturi, Herr Seele, and Thomas Wellmann.

Additionally, Saturday night sees the Ping awards ceremony, now in its fourth year since the revamp of the storied Danish comics award. It takes place at Lille Vega and will be as big, grand, and festive as ever. Do secure yourself a ticket before they sell out (as they invariably do).

Notably, the Ping group has already announced the recipient of this year’s grand, hall-of-fame type award, which goes to the historically crucial editor and publisher behind the publishing company Interpresse, Arne Stenby. A little-appreciated key person in Danish comics, without whom the culture would be immeasurably poorer. This recognition of his importance is long overdue and I’m happy to be part of it.

If you’re in town and have the slightest interest in comics, you cannot miss this. And look me up: I’ll be around most of the time both days, plus of course at the Ping ceremony (for which I had the pleasure once again of being part of the Jury). On Sunday I’m moderating a panel on comics, art and drawing featuring the above-mentioned Hanselmann, Kverneland, and Wellmann, as well as two excellent and outspoken Danish cartoonists: Rasmus Bregnhøi and Rikke Villadsen (at 11.00), as well as conducting an on-stage interview with the great Herr Seele, on his and Kamagurka’s hilarious strip Cowboy Henk (at 13.00).

See you?

Tegneserier fra Flødeskumsfronten i Information


Lige hurtigt og for the record: for snart tre uger siden, mere eller mindre i anledning af 70-året for befrielsen, publicerede Information min anmeldelse af to danske tegneserieudgivelser med netop denne som emne, antologien Knivsæg, redigeret af Henrik Rehr og Per Sanderhage og Johan Nørgaard Pedersens Sabotage i Viborg. Læs anmeldelsen her, hvis ikke du allerede har set den.

Angoulême 2015 at the Comics Journal


As mentioned a few weeks back, I was once again covering the Angoulême comics festival for The Comics Journal this year. It as a strange, beautiful and slightly oppressive experience being there, three weeks after the Paris killings. This dominates my reports, I’m afraid, but tune in also for views on artists as diverse as Bill Watterson, Alex Barbier, and Taniguchi Jiro, and for thoughts on French comics right now, the state of the Angoulême festival, and the award winners. Onsite reportage parts one and two plus the usual more in-depth aftermath analysis.

Charlie Hebdo and Paris: Post-Mortem


It’s been up for a few days now, but I just wanted to note that part two of my examination of Charlie Hebdo and the significance of the murders in Paris is online at The Comics Journal. Part one is here.

Desertør i Information


Information har netop publiceret min anmeldelse af Halfdan Piskets imponerende tegneserie Desertør, der er første bind i en trilogi om hans fars liv. Desværre er den kommet i avisen en anelse forsinket. Jeg afleverede den i begyndelsen af juli. Men bedre sent end aldrig, og jeg forstår, at andet bind i trilogien er lige på trapperne, så om ikke andet kan anmeldelsen læses som opvarming og -frisker. Her er den!

Angoulême!


After a couple of years off, I’m back in Angoulême. It’s raining and the ghost Charlie Hebdo is everywhere. Follow my updates at The Comics Journal.

Charlie Hebdo at The Comics Journal


I recently published a review of the latest, 7 million print run-issue of Charlie Hebdo over at The Comics Journal. I have a second article, which delves further into the contentious and complicated issues surrounding the massacre, the cartoons and journalism of the magazine, and a bit of everything else, so stay tuned.

Moroni in the Burlington Magazine

Giovanni Battista Moroni, Portrait of Giovanni Gerolamo Albani, c. 1568+70, private collection


This month’s issue of The Burlington Magazine includes my review of the Royal Academy’s exhibition of the work of sixteenth-century Italian painter Giovanni Battista Moroni, curated by Simone Facchinetti and Arturo Galansino. It really is an excellent show of a now overlooked painter and I cannot recommend it enough. It closes this Sunday , so you still have a chance of seeing it, if you haven’t already.

Habibi i Information


I ugens bogtillæg til Information kan man nu læse min anmeldelse af Craig Thompsons storværk Habibi, nu udgivet på dansk af Fahrenheit. Der er blevet redigeret lidt i teksten, men den er stadig ok. Læs den her.

Ønsker du mere om Habibi, kan den her 2011-serie af artikler fra Hooded Utilitarian anbefales. Jeg selv bidrog også til den med en mere grundig tekst end ovenstående.

Fandens til krig i Information


Lige her op til jul står min anmeldelse af Tardi’s Fandens til krig at læse i Information. Læs den tegneserie — det er mesterens måske definitive holmgang med værkets genkommende temaer. Årets danske tegneserieudgivelse.

Hype: Den store Storm P.-bog


Den landede for nogle uger siden, men det gør den ikke mindre aktuel. Den Store Storm P.-bog er et overflødighedshorn af den danske humorists bedste værker — valgt på tværs af tid og genre. Den dækker hele karrieren og alt fra ungdommens grove satire og ekspressionistiske maleri over banebrydende tegneserier som De tre små mænd og Nummermanden og Den kulørte side til klassiske plakater og ‘opfindelser’ og ikke mindst, alderdommens flue-bevingede visdomskondensater. Og meget mere.

Bogen er redigeret af Steffen Rayburn-Maarup fra forlaget Aben Maler i samarbejde med Storm P.-museet og Alvilda, der som bekendt i disse år har gang i en større udgivelsesrække med Storm P. Og jeg har haft æren at skrive forordet, hvilket trak tænder ud, men endte med at være en fornøjelse. Storm P. er svær at skrive om, fordi hans geni er så svært at indkredse, og fordi han bare er sjovere en dig og mig og hvad vi kan finde på at sige om ham. Men jeg har i efterhånden en del år gerne villet prøve kræfter med opgaven og her kom den så. Jeg havde givet mig selv alt for dårlig tid til at producere det gennemarbejdede essay, jeg førhen havde forestillet mig at ville skrive, men sådan er virkeligheden jo og jeg endte med at være godt tilfreds, selvom meget (‘i en perfekt drømmeverden’, som min mand Thorhauge altid siger) kunne have været bedre.

Men hul idet, det er Storm Ps. fantastiske og usigeligt morsomme tegninger det handler om, og dem har den her bog in spades. Læs den.

PS — bogen er også planlagt til udgivelse i USA, hos kvalitetsforlaget Fantagraphics. Hvornår ved jeg ikke, men du kan læse mere om det her.

Arcadia in Print Quarterly

Giulio and Domenico Campagnola, Musicians in a Landscape, c. 1517, engraving, Berlin, Kupferstichkabinett


In the latest issue of Print Quarterly (vol. XXXI, no. 4), I’ve reviewed the catalogue of the exhibition “Arcadia — Paradies auf Papier, Landschaft und Mythos in Italien”, displayed at the Kupferstichkabinett of the Staatliche Museen in Berlin earlier this year.

The exhibition was based entirely on the Kupferstichkabinett’s incredibly rich holdings and provides a stimulating overview of Arcadian imagery in Italian graphic art from c. 1440-1640.The catalogue is written by Dagmar Korbacher, Christophe Brouard and Marco Riccòmini. It contains innovative takes on especially the Venetian drawings and engravings of Giulio and Domenico Campagnola and related artists, like the above masterpiece by the two of them.

De nye genreserier i Information

Fra Rybergs Gigant


I ugens Bog(Forum)tillæg til Information kan man læse min anmeldelse af en håndfuld nye danske udgivelser med forbavsende mange fællestræk. Mit postulat er, at de er udtryk for en bredere tendens blandt tidens yngre tegneseriemagere, nemlig at ny, personligt vinklet tilgang til de traditionelle genrer.

De anmeldte tegneserier er Lars Kramhøft og Tom Kristensens Inficeret, Tatiana Goldbergs Anima, Glenn Augusts Lava og Rune Rybergs Gigant.

Læs anmeldelsen her. Men bemærk venligst, at overskriften og rubrikken (som det er reglen med avistekster) ikke er mine.

Hype: Titian’s Early Portrait of a Man in Copenhagen


And they keep coming… although this is probably the last one in a while. Part of my core research as a fellow at Statens Museum for Kunst in Copenhagen centred on the early Titian portrait of an elderly man (above), which is on long loan to the gallery from Ny Carlsberg Glyptotek. That the sitter might just be his teacher, the great painter Giovanni Bellini, doesn’t make this sensitive portrait less interesting. The results of my research, and — crucially — that of restorer Troels Filtenborg, are now published (in Italian) for all to see in the storied journal Arte Veneta, published by the Fondazione Giorgio Cini in Venice.

Here’s the English abstract:

The article provides a thorough examination of the Portrait of a Man by Titian in the collection of Ny Carlsberg Glyptotek, on permanent loan to Statens Museum for Kunst, Copenhagen. Its provenance is laid out in unprecedented detail. A thorough technical examination reveals that the portrait was painted on top of another, cancelled one, showing a figure dressed in a red garment. It further reveals that the landscape view at left was added to what was originally a plain background. The painting’s attribution to Titian, which has been occasionally disputed, is considered and affirmed with reference to the technical evidence as well as comparable works in his oeuvre. This also provides a likely date of completion around 1512. Lastly, it is proposed that the first, overpainted sitter may have been the Venetian senator Andrea Loredan di Nicolò, for whom Titian worked his early years. As for the person portrayed in the finished picture, the long-standing if controversial hypothesis that he may be the painter Giovanni Bellini is discussed. While this identification impossible to affirm conclusively, the authors consider the arguments in favour sufficiently strong that it should not be dismissed.

The volume can be acquired directly from The Fondazione Cini, as well as from Mondadori. Or any self-respecting art library, I should think, for those understandably reluctant to fork out the big bucks.

Et knald til i Information


I denne uges bogtillæg til dagbladet Information står min anmeldelse af Rikke Villadsens udfordrende tegneserie Et knald til at læse. Check den her.