Archive for the 'comics' Category

The Week


The week in review

Another week, another several terrorist attacks. Today’s in Lahore was even worse than the one in Brussels a few days ago. They may be low tech and claim fewer dead than other forms of violence, but I don’t know how these actions won’t change our societies quite radically, and mostly for the worse. Here in London we’re increasingly waiting for the other shoe to drop. Yet, some of Palmyra still stands.

Happy Easter.

  • Stations of the Cross, London. At the National Gallery we participated in this psychogeographical art project with Jacopo Bassano’s Way to Calvary representing the seventh station. I found it a rich and rewarding experience not in small part because it encouraged one to explore various forgotten or at least dimly remembered parts of London. Very Iain Sinclair/Alan Moore, in some ways. Clearly, Apollo Magazine agreed.
  • Comics! Jen Lee had a great stint in The Comics Journal‘s diary section. Beautiful. Oh, and the same source delivered a fine interview with growing Wunderkind Michael Deforge. And Nummer9 presented some very promising webcomics work from the current students at the graphic storytelling programme at the Viborg Animation Workshop.
  • New hip hop! Aesop Rock is dope over Pusha-T’s “Untouchable”. Slime Season 3! Bob Rauschenberg.
  • Phife Dawg RIP. A great, underrated MC, part of one of hip hop’s seminal groups, left us this past week. Here’s a great oral history of the creation of A Tribe Called Quest’s second (and in my view narrowly best) album, The Low End Theory. And here’s the long-disbanded group’s last performance, on Jimmy Fallon, with The Roots, last autumn.
  • Image: Getty Research Institute.

    Comics of the Decade: Chester Brown’s Louis Riel


    This is part of a Metabunker series celebrating a great decade in comics with Rackham by reprinting select reviews of the decades’ best comics from the Rackham archive, along with a number of new pieces.

    I
    There is an extraordinary moment near the beginning of Chester Brown’s historical reconstruction, Louis Riel: the newly, ad hoc-elected eponymous popular leader sends his troops into the nearby-situated Fort Garry to secure the provisions and weapons stored there, before they fall into the hands of their pro-Canadian adversaries. A scout is sent ahead and finds the fort deserted, after which he signals his brethren to advance through the open gate. Continue reading ‘Comics of the Decade: Chester Brown’s Louis Riel’