Monthly Archive for October, 2007

Let’s Hear It for the Optimists

mai_377_t.jpgVia David Packwood, I was made aware of the sale, last Friday at Moore, Allen & Innocent, for £2 million, of a Dutch 16th-Century portrait that the buyer and whoever he was bidding against evidently thought was a Rembrandt. Now, it certainly is a good-looking painting and evidently related to Rembrandt, but — at least judging from the low-quality reproduction available at the auction house’s site — this is pretty far from the real thing.

I am not a specialist, but to me the handling on the face, with its patchy application, and the superficially applied highlights on the tunic spell out Pastiche. Loudly. In the early period emulated here, Rembrandt did indeed apply paint in rather thick patches without blending a whole lot, but his results were still of a wholly different order of nuance. Packwood has an example up, which should demonstrate the difference in quality conclusively.

I am unfortunately not that well-versed in the work of Rembrandt’s students and artistic circle, but the suggestion made in the comments section of Packwood’s site, that it could well be by Isack Jouderville, seems convincing. Nice picture, but £2 million..?

Cartoon Crisis Remembered in Danish Election, pt. 2

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Following upon Danish far-right Danish People’s Party’s campaign poster of a few days ago, evoking the cartoon crisis, left-wing party Enhedslisten (“The Unity List”) and their candidate for parliament Asmaa Abdol-Hamid (pictured, right) have created their own poster in response, showing a hand drawing the face of Danish People’s Party leader Pia Kjærsgaard under text saying “Freedom of speech is Danish, idiocy is not.”

This post was initially made yesterday by T. Thorhauge, but disappeared due to bungling on the Metabaron’s part. The above is a reconstruction.

On a Wall in Barcelona

tree_t.jpgJust returned from a short, sweet trip to Barcelona. Found this on a wall, in one of the many recesses of Gaudí’s Sagrada Família. Made me think of this passage from Leonardo’s notebooks:

“… if you look at any walls soiled with a variety of stains, or stones with variegated patterns, when you have to invent some location, you will therein be able to see a resemblance to various landscapes graced with mountains, rivers, rocks, trees, plains, great valleys and hills in any combinations. Or again you will be able to see various battles and figures darting about, strange-looking faces and costumes, and an endless number of things which you can distill into finely-rendered forms. And what happens with regard to such walls and variegated stones is just as with the sound of bells, in whose peal you will find any name or word you care to imagine.”

Somehow auspiciously appropriate in that particular building.

Cartoon Crisis Remembered in Danish Election, pt. 2

Pia KjaersgaardFollowing yesterday’s post upon Danish People’s Party‘s election campaign, left wing party Enhedslisten has produced this ad (left) as a counter-comment to the former’s Mohammed poster. The face on the ‘drawing’ belongs to Danish People’s Party‘s leader Pia Kjærsgaard, and the text states: “Freedom of speech is Danish, stupidity is not“.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Campaign ad by Enhedslisten
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Titian — The Last Act

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The late work of Titian continues to fascinate. Inner effulgence emerging through broken, smouldering facture. A expressively spiritual presence. These are some of the qualities of the best, late works in paint by the master. Unprecedented in its embrace of colour as clay, of the gesture as art, and utterly devoid of ancillary concerns, yet fully continuous with the rest of his oeuvre, it appears the result of insights attained through a long life of painting as inquiry. A quintessential manifestation of the romantic notion of an Altersstil as the last testament of the singular artistic genius.

The latest affirmation of the late work’s enduring appeal are two ambitious and grandly conceived exhibitions, concentrating on the last twenty years or so of Titian’s career. Without a doubt the most assertive and incontrovertible is “Der Späte Tizian und die Sinnlichkeit der Malerei” (“Late Titian and the Sensuality of Painting,” reviewed here) in Vienna, which opened last week and collects the majority of his supreme late masterpieces under one roof. (More on that once I get to see it) The other is the odder, more idiosyncratic, but nevertheless greatly interesting show “Tiziano — L’Ultimo atto” (“Titian — The Last Act”) in the small town of Belluno in the foothills of the Dolomites, with an outreach to Titian’s hometown of Pieve di Cadore, further on up. Continue reading ‘Titian — The Last Act’

Cartoon Crisis Remembered in Danish Election


Yesterday, Danish prime minister Anders Fogh Rasmussen called early election for Nov. 13. Most major parties expected this move, and have been preparing their campaigns since the beginning of summer. Even though Danish People’s Party (Dansk Folkeparti) and its leader Pia Kjærsgaard (above) belong on the far right wing, it’s a bit of a surprise that the party launches its campaign with a strong reference to the Cartoon Crisis. On the poster above, the text states: Freedom of Speech is Danish, Censorship is not“.

The drawing is by the party’s graphic designer (it’s not one of Jyllands-Posten‘s original cartoons), and is based on a drawing depicting the Prophet Mohammed in Alexander Ross’s book A View of all the Religions in the World (1683). According to Nyhedsavisen, Kassem Ahmed, a spokesperson for the Danish Islamic Society, has stated that the Society will “ignore the provocation, and prefer dialogue with those who subscribe to freedom of speech in a more decent and respectful manner“.

Let’s see what happens this time..

Photo montage by Avisen.dk.

Hype: The Dark Knight Reflects

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I morgen, onsdag 24 oktober kl. 12.15, holder Ph. D.-stipendiat på Institut for Filosofi og Idéhistorie, Aarhus universitet, Carsten Fogh Nielsen, forelæsningen “The Dark Knight Reflects – om Batman, filosofi og populærkultur” på Aarhus Universitet, Nobelparken, bygning 1461, lokale 226. Manchet følger: Continue reading ‘Hype: The Dark Knight Reflects’

Hype: Johan Krarup

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Dansk tegneseries tænksomme original, Johan Krarup, har for nyligt renoveret sin hjemmeside — www.jfkra.dk. Hop derover og check den ud! Og husk at følge med i serien “Mixed Double”, der kører på Fahrenheits hjemmeside.

The 2007 Venice Biennial

The 2007 Venice Biennial
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The Metabunker reports from the 2007 Venice Biennial in two parts, one on the pavilions and one on the International and Arsenale exhibitions.

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Christian Skovgaard’s “Owl”

Christian Skovgaard’s “Owl”
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The Metabunker presents a new comic by Christian Skovgaard – “Owl.”

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Who Drew the Original Spider-Man? The Debate

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The week before last, I posted a link to Morten Søndergård’s article on the first Spider-Man stories and Jack Kirby’s possible involvement in them on the Comics Journal messageboard. This sparked an interesting debate about the validity of Morten’s hypothesis, involving some of the foremost specialists on Steve Ditko, Jack Kirby and early Marvel. I figured I would save the best of it for posterity here. Continue reading ‘Who Drew the Original Spider-Man? The Debate’

Patologier II

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Efter længere tids hi, er Seriejournalens efterhånden eneste læseværdige skribent, Berti Stravonsky, tilbage med en ny udgave af sin Blog for supersamlere! Det er nærmest som at læse en ornitologs logbog. En ornitolog med speciale i andefugle. Check det ud!

The Pendulum Swings

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Lo, the pendulum swings. Things have happened so quickly in comics these last years that we are already seeing a backlash against the type of comics that broke the century-old mould and expanded the field of comics as expression and art, until recently almost universally embraced amongst ‘progressive’ comics cognoscenti. There is a new establishment in comics — graphic novels, artcomics, verité dessinée, call it what you want — and, as it should be, a conglomeration of people all set to tear it down, though not always for the same reason or with the same agenda, has emerged. At the same time, myriad new developments are taking the medium in new and different directions that elicit critical responses even before the ink is dry. This is only natural — the medium is in a state of evolutionary flux, and the battle of redefinition that these conflicting discourses are evincing is only to be expected.

The latest flareup of this state of heightened tension in international comics culture was a kerfuffle this weekend and yesterday over a somewhat ill-advised piece by Heidi MacDonald on the high-profile, Chris Ware (co-)edited comics anthology The Best Comics 2007 from mainstream publisher Houghton Mifflin (follow-up here). Her post called a host of cheerleaders from out the woodwork, but also elicited vociferous criticism, making you simultaneously apprehend and anticipate the Fire Next Time. Continue reading ‘The Pendulum Swings’

Press Release: Bonnier Comics Established in Denmark

Following Egmont’s aquisition of Bonnier’s book publishing division (covered by the Metabunker here), big decisions have been made – here’s a fresh statement from Egmont/Bonnier:

“In connection with the sale of Bonnier Books’ Danish publishing company Bonnier Forlagene to Egmont, the comics publication unit of the children’s publisher Carlsen will transfer to Semic International, owned by Bonnier. During their review of the sale, the competition authorities of the European Commission assessed that the group will achieve an over-dominant position on the Danish comics market as both Egmont Serieforlaget and Carlsen operate significant activities in this publishing sector. However, Carlsen’s current publications in the comics area will remain under the auspices of Bonnier. A Danish comics company, Bonnier Comics A/S, will be set up under the general management of Rickard Ekström and Måns Gahrton from the Swedish publishing house Semic International. Continue reading ‘Press Release: Bonnier Comics Established in Denmark’

Quotes of the Day:

Poor wee artie, he had the misfortune of having the first volume of Maus come out at the same time as that godawful Dark Knight and now he’s got to be stuck to it like a siamese twin. I feel for the guy.
- Eddie Campbell

The book is stupid, and David Michaelis is an idiot.
- Monte Schulz, son of Charles M. Schulz

He’s just a guy who wants to get paid, and he cuts deals for himself that he doesn’t like down the line, and then he gets whiny and cries about it…
- Rob Liefeld on Alan Moore