Min anmeldelse af Karoline Stjernfelts albumdebut I morgen bliver bedre bind 1 bragtes en anelse forsinket i lørdagens Informer. Læs den her (hvis du har abonnement…). Nåja, og så bør du absolut læse Henry Sørensens langt mere udførlige anmeldelse på Nummer9, samt hans interview med skaberen.
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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Mary Wept at the Comics Journal
My by this point extremely irregular column on European comics at The Comics Journal is making a bit of a departure today, presenting a critical assessment of the very Canadian and thus non-European master cartoonist Chester Brown’s new book of Biblical exegesis Mary Wept over the Feet of Jesus. In some ways an addendum to his last, fascinating and conflicted confessional, Paying for It, in some an extension of his nineties Gospel adaptations, and in others his to date perhaps deepest descent into hermetic eccentricity, it is worth a read.
I actually think that Brown is one of the single cartoonists about whom I’ve written the most. A lot of it is accessible right here at this site.