I dagens bogtillæg til Information kan man læse min anmeldelse af andet bind i Juan Díaz Canales og Rubén Pellejeros Corto Maltese-kopi, Equatoria. En veloplagt pastiche, der ikke desto mindre fordrer spørgsmålet hvorfor? Læs her (men ££).
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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One Flew Out of the Cuckoo’s Nest — Comics Between Old and New
A survey of comics and cartoon history in parallel and opposition to that of the fine arts.
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On Comics History and the Canon
A selection of writings on comics for use by teachers, students, and people otherwise interested
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Worlds of Difference
Essay on role-playing games as a formative experience, in honour of passed D&D creators Gary Gygax & Dave Arneson
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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A Certain Tendency in French Comics
Click here to read the extended Metabunker debate on the current (problematic?) state of nigh-mainstream French comics.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Fabrice Neaud interviewed
An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
Lazarus explained
At the National Gallery we’re currently running a series of half-hour lunchtime lectures on the history of the Gallery told through six key paintings. I kicked off the series a couple of weeks ago with a talk on a painting that has become near and dear to me for perhaps obvious reasons, The Raising of Lazarus by Sebastiano del Piombo, from partial designs by Michelangelo. It was an ideal place to start since it was the first painting inventorised at the founding of the National Gallery in 1824, with the number NG1. See it above. The talks are all available at the National Gallery’s YouTube page.