Monthly Archive for February, 2019

Fantask no more?


Meget tyder på at Fantask er slut. I fredag i sidste uge sendte Butikkens ejer Marit Nim en besked ud til Butikkens abonnenter om, at de lukker til sommer. Det satte i den grad fællesskabet i affekt — Benjamin Herbst fra Superhelten.dk igangsatte en GoFundMe for at støtte Butikken, i håbet om at det kunne forhindre en lukning. På under 24 timer var indsamlingen oppe på en kvart million, på mindre end en uge nåede vi en halv. Marit annoncerede som reaktion, at Fantask ikke lukker, men nok stadig må flytte fra adressen Skt Pedersstræde 18, hvor Butikken har ligget siden 1971.

Det virker helt sikkert. Fantasks stiftere Rolf Bülow og Søren Pedersen ejer lokalerne, som samtidig udgør deres pension. De har siden de afhændede butikken til Marit sikret, at hun kunne køre den på gode vilkår. At Marit så i sidste uge annoncerer at hun bliver nødt til at lukke, viser tydeligt at det ikke længere kan lade sig gøre uden større forandringer. Vi håber alle på det bedste, da Fantask jo i den grad må karakteriseres som en kulturbærende institution i Danmark — og en der har betydet enormt meget for enormt mange, herunder undertegnede, som endda en overgang arbejdede der.

Selvom det ikke er overraskende, gør det ondt at se Butikken kæntre her i den digitale tidsalder, hvor det i stigende grad er blevet vanskeligt at drive fysisk boghandel. Og det bringer alle minderne frem, i hvert fald hos undertegnede, men tydeligvis også for de tusindvis andre, der har lagt deres hårdt indtjente i hvad der nok snarere er en kærlighedserklæring til Fantask og et rygstød til holdet bag, end det er en realistisk redning. Lad os se, og Godspeed til alle de involverede, før og nu. Continue reading ‘Fantask no more?’

Pisket at The Comics Journal


After more than a year, I’m finally back on the virtual pages of The Comics Journal with a new instalment of my column Common Currency, on European comics. This time, I’ve taken the opportunity of the recent awards handed out at the Angoulême Festival to review Danish cartoonist Halfdan Pisket’s astonishing account of hi father, James’ life in the Dansker-Trilogy, the third volume of which was just given the Prix de la Série in Angoulême, as far as I know the first time a Scandinavian comic has been awarded in the major categories (do correct me if I’m wrong).

But that’s less relevant — what’s important is that this is a distinct and compelling work of memoir, empathy and history, told in comics form. I absolutely encourage you to seek it out if you read Danish or French, and if not then pester your favourite comics publisher to put it out in a language you can read. Check out my column here.

Fantask

Fantask

Skriverier om butikken Fantask og dens placering i det danske kulturbillede.

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Kvindekamp i Information

Fra Bagieus biografi over svømnings- og kropsaktivisten Annette Kellerman


I fredagens bogtillæg til Information kunne man læse min anmeldelse af Marta Breen og Jenny Jordahls Kvinder i kamp og Pénélope Bagieus Skamløs, to nye formidlende tegneserier, der både behandler kvindekampens historie og formidler en “alternativ’, kvindeorienteret historieform — alt sammen i tegneserieform. Det startet sådan her:

Kvinder i kamp og Skamløs, to nyligt udkomne tegneserier, præsenterer aspekter af kvindekampen og den kvindeorienterede historieskrivning i tilgængelig, letfordøjelig og overvejende underholdende form. Det kan måske virke overraskende, fordi denne type tegneserie kun for nylig har manifesteret sig i litteraturverdenen, men den har en lang tradition bag sig.

læs mere her, bag væggen.

The Miracle in Milan

The Miracle in Milan

Review of the 2011-12 Leonardo show at the National Gallery in London

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Lorenzo Lotto: Last Days


The Lorenzo Lotto Portraits exhibition at the National Gallery, which I co-organised with Miguel Falomir and Enrico Maria Dal Pozzolo, is now in the last days of its run. It’s been a great season for Lotto, what with us putting Lotto on at two of the major art museums of the world, the Museo del Prado in Madrid and The National Gallery, and with the concurrent Lotto initiative, inspired in part by our exhibition, in the region of the Marche, which has included an additional, more specialist-oriented exhibition in Macerata as well as the introduction of a joint ticket for visitors wanting to go on the Lotto trail through the region. Something which I’ve done and highly recommend — not only does it feature some of the artist’s greatest altarpieces and other paintings, the Marche is also a beautiful part of the world, mercifully free of tourists. Now, with tours, academic conferences, study days and other activities behind me, I can only say that I’ve become even more devoted learning about to this astonishing artist. I hope you have too.

Encouragingly in that regard, the London iteration of the exhibition, smaller but arguably more focused than the magnificent Madrid one, has a success. It is heartening to see so many people show an interest in a great artist who is virtually unknown outside Italy. I attribute it to Lotto’s very direct, intimate and relatable approach to his subject matter — he is an artist of great empathy who cannot but invest a lot of himself in his work, and it shows. If you haven’t seen the show yet and are in London, I hope you might be able to find the time. It’s open till Sunday. Check my introduction to the show above.

Hergé and the Order of Things

Hergé and the Order of Things
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Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form

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