Yesterday, I wrote: “The most depressing thing about the silly kerfuffle over this week’s funny, if not particularly great New Yorker cover by Bary Blitt is the Obama campaign’s stuffy and thoroughly humourless reaction to it.” Since I don’t live in America and am thus blissfully unaware of the day-to-day stupidity of the media there, allow me to post a correction in the form of the above clip from The Daily Show with John Stewart. Hilarious and chilling all at once, like most great satire.
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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