Check in here, for the spectacle that is the Bunker’s photo reportage from the Angoulême festival.
Above: Chris Ware signing at the Angoulême booth.
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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Damian Marley & Nas Interviewed
The Distant Relatives interviewed on their 2010 tour
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Fantask
Skriverier om butikken Fantask og dens placering i det danske kulturbillede.
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The Miracle in Milan
Review of the 2011-12 Leonardo show at the National Gallery in London
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Bellini in Rome
Thoughts on Giovanni Bellini and the grand Rome retrospective.
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Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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Cézanne’s Card Players
On Cézanne, time, figure drawing, still lives, and the classics
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Jimmy Corrigan’s Spectacular Reality
Article on Chris Ware’s Jimmy Corrigan
Ah, en Hirata-udstilling. Sikkert den rigtige måde at opleve ham på. Jeg gik fuldstændig kold i Satsuma Gishiden – ja, jeg har vist endda ikke åbnet bind 2, som jeg ellers har liggende, endnu. Men flotte tegninger, det er det.
Ja, for fanden — de originaler var flotte. Han er stivere end baade Kojima og Shirato, og ikke saa stor en storyteller, men paa sin vis mere konkret, hvilket tjener ham som illustrator.