Have a good year!
Have a lovely season! Perhaps next year, I’ll try to revive this joint a little bit. Be ensured that I appreciate the patience of whoever might still occasionally be checking in.
I dennes uges bogtillæg til dagbladet Information kan man læse min anmeldelse af Søren Glosimodt Mosdals tegneserie Fimbulvinter, om Erik den Røde, Leif den Lykkelige og overgangen fra den gamle til den nye orden i vikingetidens Grønland. Et bjergtagende billeddigt, men også noget af en torso, der lader de løse ender flagre. Anmeldelsen kan læses her.
This review is was originally published in Danish at Rackham in 2004 and is reprinted here as a supplement to the short essay Yvan Alagbé’s comics that I’ve just published over at The Comics Journal.
The French-Belgian publishing structure Éditions Frémok, or FRMK for short, has now been in the game for ten years, initially separately, as Belgian Frémok and French Amok, and since 2002 together. They have managed one of the most consistent and challenging publishing programs in avant-garde comics. They have unerringly emphasized the boundary-breaking, the experimental, and often fine arts-oriented comics by some of the most innovative creators in Europe, people such as Thierry van Hasselt, Olivier Marboeuf, Dennis & Olivier Deprez, Stefano Ricci, Silvestre, Kamel Khélif, Vincent Fortemps, Michael Matthys, Dominique Goblet, Martin tom Dieck, Nabile Farès, Aristophane, and the Dane Søren Mosdal.
Their publications are unequivocally high art and as such expose themselves to criticism on two flanks. One is the risk of pretentiousness and postulated profundity, the other is the inevitable comparisons with other forms of visual art, comparisons which tend to put this kind of sequential painting to a disadvantage. Unsurprisingly, FRMK’s publication history is one of precarious and not always successfully negotiating these difficulties, but the fact that they persist is entirely to their credit. It is refreshing to see somebody uncompromisingly asserting their belief in the potential of the medium to fathom the wide expressive range that has traditionally been the domain of other media. Continue reading ‘Soul on Fire’