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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Cultural Amnesia in Berlin
I’ve already mentioned it in passing here on the blog and on Twitter, but this is sufficiently important to warrant its own post. There are currently plans to refurbish the Gemäldegalerie in Berlin to the tune of a government grant of €10 million to make space for the Pietzsch Collection, a large and significant collection of modern art donated in 2010 to the German National Galleries, under the Foundation of Prussian Cultural Heritage.
This will mean that the works currently occupying that space — one of the world’s finest collections of old master paintings have to be relocated. A collection that includes major works by many of the greatest painters of European history, from Dürer, Cranach, Roger van der Weyden and Bruegel, Masaccio, Filippo Lippi , Botticelli, and Bellini, to Titian, Raphael, and Caravaggio, Rembrandt and Vermeer, to name but a few. Apparently, the current plan is to hang a selection of them in the galleries of the Bode Museum on the centrally placed Museumsinsel, while the rest will have to go into storage until at least 2018, when a new museum for the pictures is scheduled to open.
This is a terrible idea. Continue reading ‘Cultural Amnesia in Berlin’