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Continuous Creation — Titian’s Nuova Natura

On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Fabrice Neaud interviewed

An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
Raphael’s Portrait of Lorenzo de’Medici

The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
On Italian Renaissance Drawing

15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
A Rubadub Sunday in Copenhagen

Vi fejrer ti års københavnsk klubhistorie med dette essay fra 2008
Titian in Belluno, Vienna and Venice

The Bunker reviews the exhibitions of late Titian in Belluno, Vienna and Venice
The Triumvirate in Boston

Titian, Tintoretto, Veronese at the MFA in Boston, 2009. Need we say more?
The Constant Garage

On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
(0)Hergé and the Order of Things

Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form






Count to Ten, Lars
Congratulations to Nicolas Winding Refn for winning best director at Cannes. Well done, I’m looking forward to Drive, just as I hope to catch Terence Malick’s Palm-winner Tree of Life. I did however find shameful Refn’s callous disavowal — he was “repulsed” — of his mentor Lars von Trier’s extremely ill-advised, but ultimately harmless comments that got him banned from the festival earlier in the week.
Look, what Trier said was clearly offensive, if taken at face value, and the press being the press of course immediately did so, reducing it to out-of-context soundbytes — “Trier admits to being a Nazi,” and so on. He did no such thing, and Refn of all people should understand Nordic irony when he hears it. This is a deeply ingrained way of joking in Scandinavia, and anybody who has followed Trier just a little bit, at his Cannes press conferences perhaps more than anywhere, would know that he relishes this kind of humor, and has a tendency to talk out of his ass. Refn is right when he says that Danes can be parochial and insensitive — witness the Muhammad cartoons — but how about sticking up for your embattled colleague instead of choosing the easy way out?
The real disgrace in all this, however, is the festival board of directors’ decision to expel Trier. Continue reading ‘Count to Ten, Lars’