Tag Archive for 'Frank Miller'

Radio Rackham: Born Again

Vores jule- og nytårsgave til lytterne i Radio Rackham er en ganske særligt engageret episode om Frank Miller, David Mazzucchelli og Christie Scheeles Daredevil: Born Again (1985-86). Studiet gæstes af ingen ringere end forfatter, dramatiker og Daredevil-superfan Jokum Rohde. Det går ikke still af sig — lyt nu, og læs mere på Nummer9.

Daredevil i Informeren

I dagens bogtillæg til Information kan man læse min anmeldelse af Frank Miller, David Mazzucchelli og Christie Scheeles klassiker Daredevil: Born Again, der for nylig blev udgivet samlet på dansk for første gang. Hermed et uddrag:

Skildringen af heltens sammenbrud er kropsnært men også metaforisk visualiseret. Kapitelåbningerne følger ham uroligt sovende, set oppefra, først i sin seng, så i et luset hotelværelse og til sidst på et leje af skraldeposer i en gyde i tiltagende fosterstilling. Man lugter sveden under hans lurvede, blå dynejakke. Da han ender i en smadret taxa på bunden af East River, suggereres vandets dunkle grums af fintmaskede rasterark under Christie Scheeles besk tonede fladefarvelægning.

Læs det hele her, hvis du har betalt penge til avisen.

Mazzucchelli i Supersnak

Så gæster jeg for anden omgang i træk Kim og Mortens fantastiske Supersnak-podcast — denne gang for at tale om David Mazzucchellis karriere og arbejde. Det sker som forberedelse til deres adventskalender, som bliver med fokus på de fire numre af Batman Year One af Mazzucchelli og Frank Miller og Richmond Lewis og som my man Thorhauge kyndigt vil berige. The Age of Crossovers is here!

Nå, men det er blevet til en grundig snak om Mazzucchelli og alt fra hans tidligeste fill-inMaster of Kung Fu over mesterværket Daredevil: Born Again med Miller og, især, det arbejde han har lavet siden han forlod den amerikanske superheltebranche: Rubber Blanket, City of Glass, “Rates of Exchange” og Asterios Polyp! Vi nåede ikke hans forskellige mindre antologiserier og Kim skar heldigvis også en del af min plapren om især Rubber Blanket fra. Jeg kunne ikke styre mig, så beklager på forhånd!

Lyt her og læs mere på Nummer 9. Og når du har gjort det, så check mine essays lige her på Bunkeren om mesterværket “Big Man” og dens mulige forbindelse til Alex Toth og Bill DuBays “Daddy and the Pie” (featuring kommentar fra Mazzucchellig selv!), samt en mere grundig udgave af den udlægning af Asterios Polyp, jeg også fører til torvs i podcastet og yderligere kommentarer i en rundbordssamtale om værket på hedengangne Hooded Utilitarian.

The Week

The week in review

James Holmes who killed 12 people and wounded 58 last Friday at the midnight screening of The Dark Knight Rises in Aurora, Colorado was quickly christened the ‘Batman Killer’ in Danish media. Just one of those shortcuts the tabloids trade in, I suppose — it’s far from clear whether the gunman chose what movie to shoot up because of its content and it is, of course, a moot question to ask of such a tragedy.

If anything, one might ask the whether it makes any sense at all that 100-round drums for full automatics can still be ordered on the internet, no questions asked. Or why this statistic, which speaks volumes as to the causality between gun ownership and gun fatality, remains acceptable for Americans.

For somebody familiar with Dark Knight director Christopher Nolan’s comics sources, it seemed at least a little bit poignant that Frank Miller anticipated the Aurora massacre in the seminal Dark Knight Returns (1986). Appearing in a sequence detailing Batman-inspired vigilantism, it is to Miller’s credit that he here mocks the media’s tendency to jump to conclusions about the causality between fictional and actual crime, while clearly acknowledging that it exists.


  • Petition to prevent the substitution of old master paintings with modern ones at the Berlin Gemäldegalerie. These plans for a radical reorganisation of the Berlin galleries would spoil one of the world’s best galleries and be a sad concession to the popular preference for modern art. Surely some other solution can be found? Please consider signing.
  • William Noel of the Walters Art Gallery on why sharing digital images of their collections online is good business and just the right thing to do for museums. It remains an uphill battle, but it seems things are changing re: museums hoarding the IP they’ve been given to share with the public.
  • New issues of academic journals on comics. Recently published, the first issue of the Scandinavian Journal of Comic Art is worth a look. As is the newest issue of ImageText.
  • The Week

    Detail of the Prado Mona Lisa copy

    The week in review

    Running late as usual, it’s a new week, but what? This weekend the great Leonardo show at the National Gallery in London closed and I regret not having had time to post something more detailed than my Weekendavisen review from back in November while it was still open, but that’s how it goes. Suffice it to say that it was a fantastic opportunity to learn about Leonardo and his workshop, as well as the bizarrely skewed presentation the artist’s mega stardom tends to result in.

    The curators’ position seemed to be that there was a strong separation between Leonardo himself and his assistants, and as noted in my review that he executed the London Virgin of the Rocks himself, while comparison with its Paris counterpart quite clearly suggested otherwise. The same goes for the recently resurfaced Salvator Mundi. If the show’s attributions were to be believed, Leonardo must have painted in about five different styles in his later Milanese years, with results of quite remarkably varying quality, much of it lesser than his earlier works such as the Cecilia Gallerani (again, see my review). What the show did, however, was to exhibit a lot of works by his assistants and associates — Giovanni Boltraffio, Francesco Napoletano, Marco d’Oggiono, and others — and thus to offer the attentive viewer the opportunity to make up his or her own mind as to whom did what and in what constellations. I’m sure insights gleaned from this rare gathering of masterworks will reverberate strongly in the literature for years to come, even if strong interests will continue to work against the deattribution — or assignment in part to the workshop — of revered works.

    Preeminent Leonardo scholar Martin Kemp suggests as much in his pointed critique of the exhibition. Although the piece seems more than a little grouchy and continues to champion the pretty but bizarre “Bella principessadrawing, the autograph nature of which — though he claims to have unearthed incontrovertible evidence — still seems hard fully to accept, it makes a strong point on how much extraneous context matters in the contemporary evaluation of Leonardo.

    Also interesting is the discovery at the Prado of what after cleaning has turned out apparently to be a contemporary copy of the Mona Lisa, which in its clarity reveals details that the dirty and much darkened original hide from us today. This announcement comes only a couple months after the publication in the Burlington Magazine of what has turned out to be a major painting, previously thought lost, by Pieter Bruegel the Elder in the same museum.

    Other links:

  • “Facebook is using you.” Op-ed written by Lori Andrews for the New York Times on the occasion of Facebook going public. Describes with chilling concision the possible implications for individual privacy of social media and their aggregation of personal data.
  • Andrei Molotiu on Frank Miller’s Holy Terror! Molotiu perceptively locates elements of interest in this highly mannered, mean-spirited comics screed by one of the medium’s ailing masters. I don’t really agree with Molotiu — almost everything he describes, Miller has done better and more compellingly before, but it remains a perceptive piece.