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Continuous Creation — Titian’s Nuova Natura

On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Fabrice Neaud interviewed

An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
Raphael’s Portrait of Lorenzo de’Medici

The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
On Italian Renaissance Drawing

15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
A Rubadub Sunday in Copenhagen

Vi fejrer ti års københavnsk klubhistorie med dette essay fra 2008
Titian in Belluno, Vienna and Venice

The Bunker reviews the exhibitions of late Titian in Belluno, Vienna and Venice
The Triumvirate in Boston

Titian, Tintoretto, Veronese at the MFA in Boston, 2009. Need we say more?
The Constant Garage

On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
(0)Hergé and the Order of Things

Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form






A Good Ache?
Sean Bean, looking vulnerable.
Look, I’ve really been trying. Not only was I prepared to like Game of Thrones when first I sat down to watch the opening episode of HBO’s series last year, I’ve come back to it several times, figuring I might have missed something, since so many people of generally discerning taste have been raving about it. But sorry, despite the best efforts of the producers to put on a good-looking, big budget production, it is hard for me to see where it differs from a Live Action Role-PLaying Game writ large. Lot of overpaid actors running around in the woods with styrofoam swrods, throwing flour at each other. Plus lots of tits.
I’ve also tried going to the sort, figuring that the show might have got it all wrong. People have been singing the praises of this guy, George R. R. Martin, calling him “the American Tolkien” and stuff, and for all his faults, Tolkien is pretty damn great in my book. So I picked up the first volume in his endless cycle of 800-page novels and gave it a crack.
Oh gawd. What’s there to like? I mean, really? The world-building is staid, consisting of every fantasy cliché you can imagine (hardened but pure Northerners, decadent big city politicians with worm-tongued advisors, and dark/skinned savages that are awesome in battle as well as in bed. Etc.) And everything is named so generically — you’re in trouble when “King’s Landing” is the best you can come up with for a great city, and when “Ice” is your idea of a cool name for a sword.
But the worst is the prose. I shall refrain from going on at length about it and merely flip through the book a random to give you a sample. This is on page 59. The righteous viking king (played by Sean Bean on TV) is haunted by doubts about a political move while his queen pines after him:
Please.