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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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The Constant Garage
On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
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One Flew Out of the Cuckoo’s Nest — Comics Between Old and New
A survey of comics and cartoon history in parallel and opposition to that of the fine arts.
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Ruppert/Mulot Interviewed
Check this interview with the French cartooning duo over at TCJ.com.
Journalism Light in Jerusalem
So much has been said about Israel and Palestine — the most hyped conflict in the World — that I started reading Guy Delisle’s new travelogue, Jerusalem – Chronicles from the Holy City, with some trepidation. Would Delisle’s trademark quotidian, low-key journalism work in Jerusalem, the Gordian knot of Middle East conflict? Would his often lively and entertaining, but just as often predictable and chit-chatty approach offer a interesting perspective on the subject? Surprisingly, the answer is YES!
Guy Delisle reported in comics form from various points of interest around the world. Lately, this has been thanks to his wife who works as a coordinator for Doctors Without Borders. Delisle follows her as a dependent, taking care of the kids and ensuring that family life runs smoothly while his wife is a work. He takes this opportunity to work in his sketchbook as often as possible. He has previously done a book on Burma (2007) in this way, while his two books prior to that, Shenzen (2000) and Pyongyang (2003), were the result of his own travels liaising on international animation projects. The present book, however, works his position as the empathetic family man to significantly greater effect, creating what is without a doubt his best comic so far. Continue reading ‘Journalism Light in Jerusalem’