Tag Archive for 'Kramers Ergot'

The Week

From Kevin Huizenga's contribution to Kramers Ergot 7


The week in review.

This week saw the passing of several notable people in letters. The one that hit closest to home here was the way too early departure of Alvin Buenaventura, one of the great artisans in comics publishing. I didn’t know Buenaventura and only barely met him, once, when he was in Angoulême with cartoonist and editor extraordinaire Sammy Harkham in 2009 to promote their giant undertaking Kramers Ergot 7. But he was one of those publishers one feels one knows through the facture of their books. And whatever else I thought of Kramers 7, it was a triumph of book production and a truly admirable publication in both its ambition and generosity.

Generosity was, I gather from the many touching words from people that knew him, a defining trait in Buenaventura, which is no surprise, because that is exactly the impression one gets from his publications, from the lo-fi texturing and sharp printing of Souther Salazar’s overlooked Destined for Dizziness to the accurate, always vivid reproduction of radically different source material, often from one page to the next, in the monumental Kramers 7. Buenaventura set an example to aspire towards. RIP.

Read Tim Hensley’s, Ken Parille’s, Dan Clowes’ and Anders Nilsen’s words and visit the comments thread of Joe McCulloch and Chris Mautner’s obituary at the Comics Journal.

  • RIP also to the great Umberto Eco! Since this is already so comics oriented, here’s his famous piece on George Herriman’s Krazy Kat and Charles M. Schulz’ Peanuts.
  • The End of an Era

    From Beatty's overture

    By Thomas Thorhauge

    It was a surprise when Sammy Harkham and Picture Box publisher Dan Nadel announced their plans for Kramers Ergot 8 about a year ago. Some of us had assumed that the monumental Kramers Ergot 7 had been the decadent word in what has been by far the most groundbreaking comics anthology of the new century.

    Despite good intentions and hard work, Kramers Ergot 7 was a disappointment, but on the other hand it was a book with everything to lose and little to gain, and at any rate it marked a fitting finale to a great run.

    As an aesthetic project, Kramers Ergot has succeeded beyond the wildest expectations, and especially the breakthrough Kramers Ergot 4 remains the high point of helmsman Sammy Harkham’s anthology series. Continue reading ‘The End of an Era’