The week in review
The drive for new Caravaggios continues unabated, it seems, with the hard to believe recent attribution of about a 100 drawings and ten oil paintings from the Castello Sforza in Milan that once belonged to Caravaggio’s master Simone Peterzano. They were just published on the web by Art historians Maurizio Bernardelli Curuz and Adriana Conconi Fedrigolli as having been executed by the baroque master. Needless to say, this would be sensational of true — no drawings by Caravaggio are known.
However, Caravaggio is rivaled perhaps only by Leonardo among artists who attract frivolous claims of sensational discovery, which come at a clip of about one a year or so. This, however, is unusually aspirational. Although Caravaggio is described in the sources as an artist who didn’t draw, working exclusively “after nature,” he is likely to have drawn at least a little, but it is still hard to believe that so many of his youthful drawings should have been in the possession of his master and have been hiding in plain sight for the better part of a century.
As Stefano Boeri from the Milan Culture Center says in this clip, the collection has been known to scholars since the collection was acquired by the municipality in 1924. Although there have been speculation about certain individual pieces, no one before has given this large a section to the master.
I haven’t studied this collection, but merely from looking at the few drawings filmed in the clip and in the promotional video at the site launched in support of the claim, it strikes me as highly unlikely that even those are by the same hand and none of the eclectic selection shown looks remotely to be of the quality of the early paintings used for comparison.
I suppose every proposal deserves a hearing, but this looks aspirational to say the least.
Links!
Feed for Posts
Radio Rackham: The French Comics Market
In a first, we broadcast our latest episode in English. It features an interview with French comics critic, curator and market analyst Xavier Guilbert, who enlightens us on the French comics market, disspelling a number of myths along the way. He explains how manga alone has doubled the market between 2020 and 2021, how the best-selling publication in France in 2022 is a documentary comic about climate change, how the gender distribution of comics readership hasn’t changed along with the influx of female creators in the last decade or so but has remained stable since the eighties, and many other insights. This is a must for anyone interested in comics publishing or comics as a cultural phenomenon.
Listen here and read more (in Danish) at Nummer9. Also, do follow Xavier on Twitter @xguilbert and keep up with his work at his long-standing website du9.org.