by matthias wivel & friends
I visited the small Will Eisner retrospective over at MoCCA on Saturday. It’s a good show, with sections devoted to The Spirit (including all the originals to the classic “Gerhard Shnobble” story from 1948), A Contract with God, Dropsie Avenue, plus a generous selection of other material, primarily from the eighties. Well worth a visit, if you’re in the area.
I’ve posted a small selection of images over at Nummer9. Peep them.
Jon Gorga and Palle Schmidt dipping underground at Bergen Street
I particularly enjoyed it as an opportunity immediately to get acquainted with the New York comics scene and meet in person a number of people whose work I’ve been appreciating, and some of whom I’ve been corresponding with, over the last half decade or more. Continue reading ‘In the Mix (MoCCA 2011)’
Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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