by matthias wivel & friends
For the past three weeks, the Danish comics site has been remembering comics legend Jean Giraud/Moebius’ passing with articles, essays, reminiscences from a number of Danish creators, and — most interesting to a non-Danish reading audience: drawn homages. Go here for a panoply of drawings on “The Theme” by Denmark’s finest.
Above is Jan Solheim, below Christian Højgaard reinterprets the last page of The Hermetic Garage.
The week in review
The passing of Jean Giraud is the passing of one of the great cartoonists and visual artists of his generation. It had become easy to take the enormously productive artist for granted, even to bore of him, what with him performing well below his own best a lot of the time in the last couple of decades, but it should not be forgotten that this was somebody who generously gave of his vision of the world, making it his through his drawing and storytelling, and ever-so-subtly affecting our common visual imaginary. His was a quiet ubiquity of a kind that only few artists could ever hope to reach. He shall be missed.
The snap above was taken at the Angoulême train station on the Sunday of the festival in 2006, reading the already seminal Kramers Ergot 4. F-R-E-S-H.
Here are some Giraud/Moebius links:
From the Frémok/Cinquième couche show
The programming has also been popular. This morning, I tried in vain to get into the CIBDI lecture hall to hear the talk by Ikeda Ryoki, the creator of the still-to-be-translated-into-English classic Rose of Versailles. I did manage to get a seat for the similarly mobbed on-stage interview with Moebius last night, even if it turned out I needn’t have bothered. Arriving late to a sweaty, overheated lecture theater, the aging maestro was given very little to work with by the interviewer, who simply let him go on and on about the trivialities of how his current retrospective at the Fondation Cartier in Paris came to be, and how he has recently returned to his classic creation Arzak. Very little effort was made to discuss the intricacies and themes of this or other works, or his thoughts on why this was a good moment to return to a character who had his day in the late 70s, or the fact that the book in question is amongst the sloppiest-looking he has turned out in a long time. Continue reading ‘Angoulême 2011: Saturday’
Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Fabrice Neaud interviewed
An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
On Italian Renaissance Drawing
15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
A Rubadub Sunday in Copenhagen
Vi fejrer ti års københavnsk klubhistorie med dette essay fra 2008
Titian in Belluno, Vienna and Venice
The Bunker reviews the exhibitions of late Titian in Belluno, Vienna and Venice
The Triumvirate in Boston
Titian, Tintoretto, Veronese at the MFA in Boston, 2009. Need we say more?
The Constant Garage
On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
(0)Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Moebius at Hooded Utilitarian
Earlier today I posted an appreciation of the late Moebius’ last great work, Le Chasseur déprime, over at Hooded Utilitarian. Reading that book in the light of his illness and death suddenly seemed to make a lot of sense. It is among his most profound, questioning works — a fitting artistic testament from somebody who changed our way of seeing. Go check it out.