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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Fabrice Neaud interviewed
An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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On Italian Renaissance Drawing
15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
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A Rubadub Sunday in Copenhagen
Vi fejrer ti års københavnsk klubhistorie med dette essay fra 2008
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Titian in Belluno, Vienna and Venice
The Bunker reviews the exhibitions of late Titian in Belluno, Vienna and Venice
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The Triumvirate in Boston
Titian, Tintoretto, Veronese at the MFA in Boston, 2009. Need we say more?
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The Constant Garage
On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
Nate Dogg 1969-2011
The melodic voice of the G-Funk era, Nate Dogg, alias Nathaniel D. Hale, died on Tuesday. He had been suffering from strokes, apparently, but I haven’t seen any report on the cause of death.
Nate Dogg, best known for his classic duet with Warren G “Regulate” (1994), on which the two of them put words on what was becoming known as G-Funk: “It’s the G-Funk eeera, funked up with a gangsta twist!” He had, however, already been given his big break by Warren’s stepbrother and gangsta rap mastermind Dr. Dre. Featured on the groundbreaking and legacy-making Chronic album (1992), he sang the hook to the street banger “Deeez Nuuuts”, which had his Long Beach homie Snoop Dogg and his cousin Daz Dillinger on the mic with Dre: “IIIII can’t be faded, I’m a nigga from the muthafuckin’ streets!” Continue reading ‘Nate Dogg 1969-2011′