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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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The Constant Garage
On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
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One Flew Out of the Cuckoo’s Nest — Comics Between Old and New
A survey of comics and cartoon history in parallel and opposition to that of the fine arts.
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Ruppert/Mulot Interviewed
Check this interview with the French cartooning duo over at TCJ.com.
A certain tendency in hip hop?
Over at RapSpot, I’ve just reviewed Chicago speed rap veteran Twista’s incredibly poor showing in Pumpehuset, Copenhagen this past Saturday (in Danish, unfortunately). A large part of my criticism is the fact that he lip synched almost his entire concert, which ties in with the reservations I recently expressed about the Wacka Flocka show at the same venue. The difference was that Twista for over twenty years has marketed himself as the fastest rapper alive and in this represents the kind of virtuoso technique that one has to be able to deliver on stage as well as in the booth in order to retain artistic credibility, whereas Wacka Flocka has not and does not. Also, Twista’s show was lazy and poorly conceived. A shame, but the real issue seems to me that this kind of approach to performaning live is proliferating in hip hop.
Photo: Klaus Køhl.