Tag Archive for 'Sammy Harkham'

The Week

The week in review

Once again, I find myself moving house. This is the fifth time in two years. It’s a drag, but promises to be good once it’s done. This just to say that for the next while there’s a better than normal reason for spotty updates here, or at the very least incomplete ones. Such as this one.

Damn, sometimes I wish I didn’t own so much junk.

At least, here are some links:

  • James Meek on Breaking Bad. Fine piece arguing for the political edge to the excellent, if perhaps somewhat overlong, AMC show. Having enjoyed a large chunk of the series over the holidays, I must say that I share Meek’s enthusiasm, even if I have my reservations when subjecting it to closer analysis. Intelligent entertainment building a grand, if flawed conceit of chemistry as a metaphor for life.
  • Tom Spurgeon’s series of holiday interviews with comics folks are always a treat. I’ve missed most of them and his site doesn’t make them easy to find, but I’m sure he’ll post an overview with links once he’s done. Today’s interview with the fine cartoonist and groundbreaking editor Sammy Harkham is a good place to park yourself while waiting.
  • Huijbert van Opstal on Victorian Age wood engraving and its cartoon offshoots. The piece, which was inspired by a revelatory meeting of the Platinum Age nerd mind (guilty as charged) at Angoulême last year, this should be unknown territory to most people, including comics afficionados.
  • This article on Shigeru Mizuki’s autobiographically comics about the second world war is informative, but the real treat is a scanlated version of his key story on the subject “War and Japan” (1991). I’ve referred you all to it before, but that link is now dead, so here’s your re-up.
  • The End of an Era

    From Beatty's overture

    By Thomas Thorhauge

    It was a surprise when Sammy Harkham and Picture Box publisher Dan Nadel announced their plans for Kramers Ergot 8 about a year ago. Some of us had assumed that the monumental Kramers Ergot 7 had been the decadent word in what has been by far the most groundbreaking comics anthology of the new century.

    Despite good intentions and hard work, Kramers Ergot 7 was a disappointment, but on the other hand it was a book with everything to lose and little to gain, and at any rate it marked a fitting finale to a great run.

    As an aesthetic project, Kramers Ergot has succeeded beyond the wildest expectations, and especially the breakthrough Kramers Ergot 4 remains the high point of helmsman Sammy Harkham’s anthology series. Continue reading ‘The End of an Era’