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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Rafael i Weekendavisen
I dagens udgave af Weekendavisen anmelder jeg den store — og fantastiske! — udstilling af Rafael-tegninger på The Ashmolean Museum i Oxford (til 3 september) og gør mig nogle tanker om hvad Rafaels tegninger fortæller os om hans særlige geni — et, der har gjort ham til det nok bedste bud på den vestlige traditions kvintessentielle kunstner.
Læs anmeldelsen her, eller i avisen hvor den er bedre illustreret. Og se udstillingen hvis I kan!
Sortkridtstegningen ovenfor er fra ca. 1519–20 og tilhører The Ashmolean Museum. Jeg diskuterer den i anmeldelsen.