Totally forgot to post this here in good time. It’s been a little crazy around these parts lately. Anyway, I’m organising this colloquium in Cambridge tomorrow. If you happen to be around, and are interested in the topic (slim chances, I know!), then by all means show up!
Feed for Postsfeature
»
Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
»
Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
»
Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
»
New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
»
Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
»
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
(0)
»
Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
»
The Constant Garage
On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
»
One Flew Out of the Cuckoo’s Nest — Comics Between Old and New
A survey of comics and cartoon history in parallel and opposition to that of the fine arts.
»
Ruppert/Mulot Interviewed
Check this interview with the French cartooning duo over at TCJ.com.
Venetian Drawings in Copenhagen
Years in the making, Chris Fischer’s latest catalogue of the collection of old master drawings at SMK, formerly in the Royal Print Collection, in Copenhagen, is now available. It covers the Venetian drawings, which is one of the collection’s strengths, even if it only contains a handful of real masterpieces.
I had the fortune of collaborating with Chris on this catalogue during my short stint as a research fellow at SMK, 2012-14. My contributions were minimal, but I am still proud to see my entries on Domenico Campagnola and his Paduan colleague Stefano dall’Arzere in there along with Chris’ exemplary entries on everything from Carpaccio and Veronese to Aliense and the Tiepolos. Also, Chris’ general introduction to the Venetian school of drawing is as good a short primer on this complex and still somewhat neglected field as you will find anywhere.
Bizarrely, the museum does not seem to sell this new publication, nor the former entries in what is a gold standard series for the cataloguing of drawings, anywhere online. I’m sure the catalogue will soon be available through international booksellers, but so far the only place I’ve found it is the Danish store Saxo.com.
Chris Fisher, with contributions by Matthias Wivel, Venetian Drawings (Italian Drawings in the Royal Collection of Graphic Art), Copenhagen: Statens Museum for Kunst, 2018