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Continuous Creation — Titian’s Nuova Natura

On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
Fabrice Neaud interviewed

An interview with cartoonist Fabrice Neaud on autobiography, reality and risk in making comics about life
Raphael’s Portrait of Lorenzo de’Medici

The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
On Italian Renaissance Drawing

15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
A Rubadub Sunday in Copenhagen

Vi fejrer ti års københavnsk klubhistorie med dette essay fra 2008
Titian in Belluno, Vienna and Venice

The Bunker reviews the exhibitions of late Titian in Belluno, Vienna and Venice
The Triumvirate in Boston

Titian, Tintoretto, Veronese at the MFA in Boston, 2009. Need we say more?
The Constant Garage

On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
(0)Hergé and the Order of Things

Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form






Establishing Shots — Judith Forest’s 1h25
This review was written for The Comics Journal in July 2010 before it was revealed that Judith Forest was a hoax, a clever ploy by cartoonist William Henne and 5e Couche’s publisher/provocateur Xavier Löwenthal to subvert people’s expectations and understanding of confessional autobiography — and more broadly the representation of “truth” — in comics. For more, please read Bart Beaty’s 2011 examination of the state of comics autobiography at the Journal. As is obvious from the review, I completely fell for it. It’s a good book!
It’s taken a while, but a new generation of European cartoonists building upon what the new wave of the 90s created is slowly, but surely coming into its own. Unsurprisingly, the genre that arguably defined those trailblazers more than any other, autobiography, still occupies a central place in the repertoire of today’s up-and-comers, along with other reality-based approaches, such as biography and documentary. Continue reading ‘Establishing Shots — Judith Forest’s 1h25′