The picture above reared its head again last week when the foundation dedicated to its authentication as an earlier version of the Mona Lisa by Leonardo presented new “proof” by pointing out geometric similarities with the famous picture in the Louvre. Strangely, it did not seem to occur to them that such geometric consonance would happen quite naturally in a copy, which is clearly what this is. But don’t take my word for it, here’s Leonardo specialist Martin Kemp demolishing the spurious claim.
This week, it was announced that the late collector and art historian Denis Mahon bequeathed 57 of his pictures, primarily Italian works of the 17th century, to a series of British museums, unfortunately with rather problematic stipulation that they be deaccessioned if the owners start charging admission. Look at the pictures here.
Ryan Holmberg on Osamu Tezuka’s sources. Revelatory article on how the Japanese “God of Comics” Tezuka and his collaborator Shichima Sakai more or less swiped the imagery and storytelling of their famous introductory sequence to their milestone New Treasure Island (1947) from American Disney artist Floyd Gottfredson.
Donald Richie. We paid the late great film scholar, author, and Japanophile our respects yesterday, but just wanted also to share the following video of him talking about Bresson’s Au Hasard Balthazar. We got it from this touching tribute. Also, read some of his criticism for The Japan Timeshere.
Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Damian Marley & Nas Interviewed
The Distant Relatives interviewed on their 2010 tour
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Fantask
Skriverier om butikken Fantask og dens placering i det danske kulturbillede.
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The Miracle in Milan
Review of the 2011-12 Leonardo show at the National Gallery in London
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Bellini in Rome
Thoughts on Giovanni Bellini and the grand Rome retrospective.
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Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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Cézanne’s Card Players
On Cézanne, time, figure drawing, still lives, and the classics
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Jimmy Corrigan’s Spectacular Reality
Article on Chris Ware’s Jimmy Corrigan
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