It’s been forever since I did one of these. Such is the half dormant life of this blog. But anyway, the itch is still occasionally there so here we go.
The above video was made a few months ago to coincide with the opening of the Sansovino Frames exhibition at the National Gallery. We had just successfully acquired the beautiful Venetian (non-Sansovino) frame which now adorns Titian’s Allegory of Prudence, partly through crowdfunding, and which features in the clip. I think it encapsulates well some of the very real pleasures of working with great artworks: the fact that details count; the kind of holistic thinking the works demand of you when you plan their display; and not least the passion and expertise that they demand. I appear for a brief moment and contribute nothing, but do watch the video for the insight it gives into our framing department and the great work Peter Schade and his staff do there.
OK, here are some links:
London Art Week. I haven’t yet really done the rounds, but I did have a chance to look at this drawing attributed to Sebastiano del Piombo. I’m unsure about the attribution, but it doesn’t make it any less beautiful. And while we’re talking Sebastiano, there’s what I do believe is bona fide painting by him in Christie’s day sale.
Mikkel Sommer. A rising star on the Danish comics scene. He hasn’t yet delivered a work really delivering on his great talent, but if he keeps dropping gems like this brilliant GIF he’ll keep at least this reader watching him.
Roskilde 2015. No, I’m not there this year, sadly, but if you read Danish, you can follow the coverage of the hip hop at the festival by my homies at Rapspot here. Prominent in the line-up was El-P and Killer Mike’s by now ubiquitous-in-hipsterdom-but-no-less-awesome-for-that project Run the Jewels. They surely killed it, if their performance last weekend at Glastonbury is anything to go by.
Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Damian Marley & Nas Interviewed
The Distant Relatives interviewed on their 2010 tour
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Fantask
Skriverier om butikken Fantask og dens placering i det danske kulturbillede.
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The Miracle in Milan
Review of the 2011-12 Leonardo show at the National Gallery in London
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Bellini in Rome
Thoughts on Giovanni Bellini and the grand Rome retrospective.
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Interview: Muñoz & Sampayo
Read our 2001 conversation with the Argentine comics grand masters and Angoulême Grand prix winner(s) here.
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Cézanne’s Card Players
On Cézanne, time, figure drawing, still lives, and the classics
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Jimmy Corrigan’s Spectacular Reality
Article on Chris Ware’s Jimmy Corrigan
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