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Interview: El-P & Aesop Rock
Click here to read our 2003 in-depth interview with two of New York’s finest.
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Continuous Creation — Titian’s Nuova Natura
On Titian’s aesthetic of the unfinished and Renaissance notions of the subjective.
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Bleed Runner
On Blade Runner: The Final Cut. Also, read producer Charles de Lauzirika’s comments here.
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Hergé and the Order of Things
Hooded Utilitarian column on Hergé’s vision and the necessity of comics criticism that engages deep form
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Bruegel, Rembrandt, Crumb and Cartooning
Extended Hooded Utilitarian piece on R. Crumb’s Genesis and the cartoon tradition.
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New Yorker Cartoons: A Legacy of Mediocrity
A deadening force at the heart of the art form, smothering the field in bourgeois mediocrity
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Raphael’s Portrait of Lorenzo de’Medici
The Metabunker summarizes the problems of attribution surrounding the Raphael portrait sold at Christie’s in 2007
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Hogarth’s Chicken Fat
An analysis of Hogarth’s rich imagery as both support and counterpoint to his storytelling
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Heavy D RIP
Yesterday saw the passing of golden age hip hop MC Heavy D, “The Overweight Lover,” at the too-early age of 44. Best know to the world at large as the man who spat the nimble rap verse on Michael Jackson’s “Jam” (1992), he was an important figure in 80 and early 90s hip hop whose substantial contribution is perhaps a little overlooked today.
Musically, his greatest contribution was arguably helping define the so-called ‘new jack swing’ sound along with producer Teddy Riley — the amped-up fusion of hip hop and r’n'b that ruled the airwaves through most of the nineties and eventually won over even Mr. Jackson himself. While this synthetic, slightly facile vein of pop music hasn’t dated all that well, however, the Hevster’s emceeing sounds as fresh today as ever. Continue reading ‘Heavy D RIP’